Mama Sallah

The Power of TAI: Transforming Education Through the Arts

New YA roster artist and Summer Arts and Learning Academy teacher Mama Sallah and the beautiful herd of elephants created by students in her workshop.

Teaching artists are expertly trained to deliver and coordinate unique, age-appropriate, and high-quality lessons alongside classroom teachers at the Teaching Artist Institute (TAI). The program is a partnership between Young Audiences, the Arts Education in Maryland Schools Alliance (AEMS), and the Maryland State Arts Council (MSAC) that turns professional artists into teaching artists and offers experienced teaching artists new strategies for everything from classroom management to designing artist-in-residence lessons.

You might find yourself “shocked” at how much electricity comes from the marriage of art and education!

Actor Dave LaSalle and participants mimicking animal behaviors and looking strong.

The positive effects of arts-integrated curricula in individual classrooms, and on teachers, students, and families are numerous and extraordinary. Teaching core subjects through the arts can increase student engagement and understanding. It can direct a classroom culture toward tolerance and empathy and it can even rejuvenate teachers and bring joy and anticipation to the faculty!

New YA roster artist Brittany Roger and Camille the chameleon.

“Through its audacity, its abstractions, its “aliveness,” art activates parts of the brain that any teacher or employer should want to turn on,” notes Drew Anderson, a veteran school teacher and YA roster artist. “You might find yourself “shocked” at how much electricity comes from the marriage of art and education!”

Cori Daniel will be sharing her acting skills with kids in this year’s Summer Arts and Learning Academy!

Teachers, families, and artists of all ages got a small taste of several teaching artists’ lessons during an afternoon at Southwest Baltimore Charter School. Participants spent their time exploring new skills and practicing old ones with: Performing artist and YA roster artist, Drew Anderson; Illustrator and new YA roster artist, Maura Dwyer; Illustrator, animal rescuer and new YA roster artist, Brittany Roger; Actor, Michael Hartwell; Actor, Tori Bertocci; Actor, Dave LaSalle; Actor, Cori Daniel; and Ceramicist and new YA roster artist, Mama Sallah.

They sculpted clay, interpreted music through movement and acting, sketched and learned about reptiles with a live chameleon, created collage utilizing different design elements, and learned awesome animal facts through improvisational theatre. One young participant was overheard telling her friend about Cori Daniel’s acting workshop, “It was so cool! We told stories with Ms. Cori without actually saying any words!” We can’t wait to hear about the wonderful classroom experiences and learning opportunities these teaching artists help to create!

New YA roster artist Maura Dwyer discussing design elements in her workshop: Communicating Through Collage

TAI is proud to be helping build a community of artists, teachers, and leaders who are committed to transforming education through the arts. Artists interested in designing lesson plans or teaching artist-in-residence programs should apply to this rigorous and renowned program. There are many things about TAI that make this professional development course unlike any other including mentorship from a designated teacher partner and from a master teaching artist in your art form. Not to mention, graduates of TAI have the opportunity to be considered for both the Maryland State Arts Council Artist in Residence Roster, and the Young Audiences/Arts for Learning Teaching Artist Roster!

For more information about the Teaching Artist Institute including videos, pricing and how to apply, click here. Read what artists are saying about the program on our testimonials page.

Reflecting on the Teaching Artist Institute

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The 2014-2015 Teaching Artist Institute (TAI) Seminar is already underway, but we wanted to share some reflections from artists who have graduated from the program. Here’s what they had to say about the experience:

As a full-time preservationist of acoustic Delta Blues from the 1920s and 1930s, I must make my history of Blues show academically relevant to the curriculums of Maryland and Virginia schools. I completed the TAI training program in 2009, and the course completely transformed my understanding of how I can support the current teaching standards in schools with my music programs.

As Young Audiences knows better than anyone, all the arts are under tremendous pressure to prove their relevance to school systems that are struggling to meet national testing standards in different disciplines. What I learned from my TAI training is that the arts serve a valuable role in preparing students with the 21st Century thinking skills they need for their future success in our rapidly changing world.

By creating a residency with a language arts teacher as my partner, I was able to use songwriting to teach students figurative writing skills. Without the TAI training, my school music programs would not be as academically relevant to the school’s goals. This connection is critical for the arts to survive in our schools, not as a reward for difficult academic work, but as a means to help students meet their academic goals.

The TAI program is well-run by dedicated educators and artists. It is challenging, rigorous, and exposes artists, teaching artists, and professional educators to each other’s thinking styles. This program deserves support, and I hope it continues to transform serious performing artists into skilled teaching artists.

Curtis Blues, Blues Musician, Exploring Math and Music by Making a One String Guitar

I had never thought of myself as an educator, at least not in the traditional sense. Musically, there is always an underlying truth or teachable moment I try to impart. However, now I needed to do so in a structured, educational format. Although the curriculum was challenging, I am ever so grateful for having gone through the process. The fellowship with the teachers and other artists truly cannot be measured. As an artist, mentally you have to re-wire your brain to remember that it is not about you or a performance; it is about what the children learn and take away from the experience. A few months later I had the opportunity to return to the school for a musical performance for a general assembly. My class was so excited to see me and the feeling was more than mutual. For that reason alone, it was a journey worth taking.

Uncle Devin, Musician and “Drumcussionist,” Uncle Devin’s World of Percussion

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TAI gave me such an appreciation for the life of the classroom teacher. Not only did I learn how to plan and sequence a project into realistic, meaningful lesson plans, I learned a whole new vocabulary and some best practices of a strong teacher as well. Field testing my lessons with my teaching partner gave me real world practice in collaboration, classroom management, solid preparation and flexibility.

TAI is also a rare opportunity to work and learn side-by-side with artists from other disciplines. I met so many energetic, thoughtful, creative people who are not only committed to their art, but also to making a difference in the lives of children. It was incredibly valuable to me to be stretched and out of my comfort zone. As a visual artist, I found that experiences in music, dance and drama helped me move out of my head and in to my body. I learned that this whole body engagement is something that I want to bring to students when I lead them in the visual arts.

On the last day of TAI we were asked to say one word that summed up our experience. My word was “ALIVE.” That pretty much says it all.

Pam Negrin, Visual Artist, Transformative Textiles: Weaving Together Math, Literacy and History and

Collaborative Stitching: Connecting and Inventing with Needle and Thread

TAI is an amazing opportunity where artists, educators, and staff truly collaborate to help process, define, and designate the importance of art in the classroom. I loved the guided lessons, hands on experience, and being around such amazing, talented individuals. I feel like this experience helped to shine a new light on my own experiences as a classroom teacher and now a teaching artist.

Bridget Cavaiola and Michael Harris, Baltimore Improv Group, Life is Improvised!

The staff and artists who coached us through TAI opened a whole new level of integrated content, planning, and instructional skills to us. The opportunity to develop new programming for excited young artists, alongside engaged education professionals in so many unique environments has grown our vision as an organization. This fall, three more team members will begin TAI. Best professional development around!

Matt Barinholtz, FutureMakersIt’s Alive: Kinetic Creature Lab!

I really felt like I was re-energized in my way of thinking and the facilitators brought a plethora of knowledge to the table. I appreciated their ability to listen, answer questions, and make the experience fun, interactive and simply enjoyable.

Valerie Branch, Modern DancerExploring, Creating, and Dancing with our Friends!