Voices for a Relevant Future: 2019 Bloomberg Arts Internship

This week, 35 Bloomberg Arts Interns—all rising seniors in Baltimore high schools—will be winding down their travels in and out and through our city’s marvelous historic and contemporary art-filled spaces. We are lucky, here in Baltimore, to have such esteemed institutions that not only teach, but listen. They value our young people’s contributions and know that in order to ensure a vibrant future, they must consider voice in their collections, among their staff, and at the helm.

Baltimore is not alone in its work to become more inclusive and reflective of the community among leadership and staff. “In a city that prides itself on both the diversity of its population and its globally recognized cultural institutions, there is a lopsided reality: While about two-thirds of New Yorkers are people of color, two-thirds of the people who run its cultural institutions are white,” wrote Julia Jacobs for the New York Times.

On a tour of Peabody Institute, our interns gained valuable career insight from artists Zane Forshee, Wendel Patrick, and Jessica Satava.

“Our interns are high school students. They are growing up in a world where equity is important and know what it truly means for a space to be equitable for all,” said Philip Muriel, Bloomberg Arts Internship Lead Coordinator. “Our worksite partners are providing extensive opportunities for our interns to help make their institution more aware and inclusive.”

Twenty local arts facilities and museums are currently providing positions within their institutions to our interns that offer a wide range of dance, music, art, theatre, cultural, and curatorial opportunities. In 2017, our first cohort of interns visited the Baltimore Museum of Art and learned about the museum’s challenge of not just welcoming the community, but making sure the community feels welcomed in the space. There is a difference.

2018 Bloomberg Arts Intern Colin Snow Stokes spoke about his project at his worksite, the Reginald F Lewis Museum.

Less than a year later, acclaimed artist Amy Sherald joined their board. Christopher Bedford, the museum’s director, said in a statement, “As we develop a new strategic plan, it is important to have the voice of artists like Amy on the BMA’s Board of Trustees. Amy will bring a unique perspective to museum leadership, one that not only draws on her career as one of today’s most important artists, but also on her ties to the city of Baltimore itself.”

“Static, monolithic history must be supplanted with histories, plural—even as museums continue to safeguard the past in the objects they conserve and display. Directors and their staffs can enact bold forward-looking visions only when their boards support them in seeing museums as spaces to challenge, take creative risks and not simply conserve,” wrote Darren Walker in a New York Times op-ed earlier this summer.

Changing narratives to reflect our very diverse population—one that is youthful, justice-minded, and looking to connect with and build upon the treasures that fill our institutions—does not detract or devalue. On the contrary, relevance ensures community involvement and support. It ensures that a new generation will love and enjoy and support our city’s museums. Relevance shows an institution’s willingness to evolve. Relevance builds trust and confidence in communities’ willingness to grow and learn alongside institutions both now and in the future.

Step into 1 West Mount Vernon Place, the Walters Art Museum’s 19th-century mansion, and you are not just engulfed in the luxurious architectural details and pristinely preserved artifacts from distant cultures, you are drawn into stories. Works from ceramicist Roberto Lugo illuminate the life of Sibby Grant, as does the community art project, led by local ceramicist and educator Herb Massie and art program Jubilee Arts, which incorporates over 200 plates made by members of the Baltimore community.

On a visit to the Impact Hub in Baltimore, our 2019 interns learned about our city’s history of redlining and its impact on residents then and now.

Now wrapping up its third year in Baltimore, the Bloomberg Arts internship is ensuring that our students’ ideas and contributions are helping to shape and secure the future and relevance, as well as the inclusiveness, of arts organizations in Baltimore and beyond.

“Two of our interns, Connor and Isabelle, are working at the Walters Art Museum on a gallery guide aimed toward teenaged guests,” Philip said. “Another, Sonia, is interning at Wide Angle Youth Media where she is working as a journalist this summer investigating the dangers of heat-related illness in low-income communities.”

At all of our 2019 worksites, these students’ ideas are valued, their participation is appreciated, and their voices are heard. And while there is still plenty of hard work to do to achieve equity and representation within our arts and cultural institutions, we can at least know that these aren’t just places where community and student voices are welcomed, but places they are wanted.

The Bloomberg Arts Internship is managed by Young Audiences through the support of Bloomberg Philanthropies. It is a rigorous eight-week program providing 35 rising Baltimore high school seniors crucial college and career readiness preparation through hands-on, real-world workplace experiences and professional development. We are so proud of our interns and all they have accomplished this summer. Learn more about the program at yamd.org/bloomberg-arts-internship.

Bloomberg Arts Internship Baltimore

Realizing Possibility: Announcing the 2018 Bloomberg Arts Internship Partners

Young Audiences is excited to announce the arts and culture worksite partners for the 2018 Bloomberg Arts Internship in Baltimore. This year’s expansion of the program meant that we needed to partner with even more of Baltimore’s high-quality, renown institutions than we did last year. In order to fully serve the needs of the incoming cohort of interns, we increased the total number of worksite partners from 14 to 20. Bloomberg Arts interns will be gaining tremendously valuable experience working and learning three days a week at one of the following 20 local arts and cultural organizations this summer:

Internship projects vary among organizations to include production, education, development, community engagement, artist engagement, video, music, administration and more. Last year’s interns worked on everything from curating museum exhibits, to integrating technology into museum experiences, to engaging young children in arts activities. At the end of the program, interns create final presentations highlighting their experiences, sharing with the community the new skills and interests that have developed over the course of their internships at each site.

“I love being at the Bloomberg Arts Internship. You guys have helped me grow in the working field and I would not trade out the people I have met for anything in the world.” –Triaje Eaddy, 2017 BAI intern

A large network of community partners are working to prepare 35 hard-working and motivated Baltimore City Public High School students for higher education and careers in the arts. Baltimore is rich with not only excellent arts and cultural institutions, but with the phenomenal people whose contributions and passion make those very same organizations so great. “I love being at the Bloomberg Arts Internship,” said 2017 BAI intern Triaje Eaddy. “You guys have helped me grow in the working field and I would not trade out the people I have met for anything in the world.” Introducing young minds to the people, all of the incredible possibilities, and the many opportunities open to them in a career in the arts is a great gift to us all.

The Bloomberg Arts Internship is managed by Young Audiences through the support of Bloomberg Philanthropies. Learn more about the program here.