FutureMakers

What Students Learn from an Artist in Residence Program: Cooperation and Perseverence

Step into a FutureMakers workshop, and you are immediately met with bright colors, texture, and sound! The room is a symphony of whirring and spinning, and you can almost hear the busy minds buzzing. This is exactly the scene in the art room when FutureMakers coaches Topher and Ross taught a series of workshops at Gardenville Elementary recently.

Thanks to programs like the Access for All Initiative and Maryland State Arts Council (MSAC) Artist in Residence (AiR) grant, more and more schools are able to bring the high-quality STEAM programming that FutureMakers provides into their classrooms. “We’re so happy to see so many schools leveraging resources from the Maryland State Arts Council,” FutureMakers founder Matt Barinholtz told us. “In 2017, we served nearly 1000 Maryland students through AiR programs – all who were able to increase their understanding of the engineering design process, circuits and visual arts elements by creating artworks that are designed and built to move!”

The goal of each workshop was for every student to create a drawing machine: a small, unique, motorized tripod that doodles and draws as it swirls and whirls across a flat surface. But it would be a mistake to assume that the finished product that students carry away is the only benefit to the session. FutureMakers teaches kids that engineers cooperate and persevere—skills that will take students far.

Coach Topher led a series of FutureMakers workshops at Gardenville Elementary. Here, he is assisting a student with the construction of a drawing machine.

Coach Topher raised his hand at the front of the classroom and asked, “Who here has ever made something before?” The kids were excited. Some of the materials they received to build their machines, they recognized. Some, they did not. All of them, they had to connect and make work.

Problem-solving and troubleshooting are easy to talk about. “It’s easy to say, ‘try your best,’ but in the moment, it’s the most frustrating thing.” Connecting batteries to motors and transforming them into pieces of art takes patience and skill. “Engineers fix stuff. Usually, they’re fixing stuff they mess up themselves!”

Though students all started on the same path, each robot took on its own distinct personality. Students directed the design of their bots, testing and retesting to see how design elements worked with the functionality of their machines. Through problem solving and teamwork, the young engineers found success.

Students testing their designs.

“FutureMakers knows that integrating quality STEAM programs is essential – and requires support,” said Barinholtz. Funding is available for schools and community organizations that can help all children experience high-quality arts programs.

Bring FutureMakers into your school with the help of a Maryland State Arts Council (MSAC) Arts in Education (AiE) grant. The MSAC AiE grant will fund up to 30% of the total cost of a YA residency program, including travel costs. The deadline to apply is Friday, May 19, 2017, by 5 pm. Start the application process today. 

YA Teams with Maryland Schools to Secure Maryland State Arts Council Grants

Skher Brown
Skher Brown and the Capoeira is Culture Performers teaching students Capoeira Angola, an African-Brazilian folk art that combines martial arts, dance, play, music, and performance. During Skher’s MSAC-supported residencies at Archbishop Borders School, The Pathways School – Edgewood, and Francis Scott Key Elementary, students will learn to use the movements of their bodies to create, communicate, and collaborate.

107 Maryland Schools Partnered with Young Audiences to obtain funding for Arts in Education Residencies through the Maryland State Arts Council Arts in Education initiative.

At Young Audiences, our philosophy is simple: the more arts-integrated learning experiences we can provide Maryland students, the better. We are thrilled to be doing just that with help from the Maryland State Arts Council (MSAC) 2017 grants! We teamed up with 107 Maryland schools to write MSAC Arts in Education Initiative grant applications and secure more than $124,000 in funding for Young Audiences artist-in-residence programs in the coming year.

MSAC grants help fund up to 30% of the cost of a Young Audiences residency program. With 194 total MSAC grants distributed this year, more than half were secured with support from Young Audiences!  We couldn’t be prouder.

And the fit couldn’t be better. Like Young Audiences’ mission, the MSAC Arts in Education initiative is designed to promote, strengthen, and enhance the arts and arts education in Maryland’s elementary and secondary schools. The grants will help fund Young Audiences artist-in-residence programs which bring professional teaching artists into classrooms to work alongside teachers and students. Teaching artists integrate their art form into the curriculum with hands-on, intensive arts workshops that engage students in creative experiences and bring joyful learning into the classroom.

The Young Audiences residencies resulting from these MSAC grants will be found in private, public and charter elementary, middle and high schools in counties that include Baltimore City, Baltimore County, Anne Arundel, Dorchester, Harford, Frederick, Montgomery and more. The art forms vary too, including residencies focused on dance, poetry, improv, steel drums, theater, music, sculpture, and photography.

For a full list of MSAC-funded Young Audiences residencies, click here. To learn more about Young Audiences artist-in-residence programs, click here.

Interested in bringing a Young Audiences artist-in-residence program to your school? We may be able to help you apply for grant funding! Email info@yamd.org

young-audiences-2017-msac-grantees

Max Bent

The positive side effects of the arts

Max Bent

By Donna Greenleaf, Coordinator of Gifted and Talented Programs, Dorchester County Public Schools, and Renee Hesson, Coordinator of Instruction for Fine Arts, Dorchester County Public Schools

Being on the Eastern Shore, Dorchester is relatively isolated from many of the cultural experiences available closer to the Baltimore-Washington area. With reduced opportunities to experience art, children and adults can become limited in their thinking and understanding of different art forms. Working with Young Audiences, we tried to find a way to make an arts learning program that was more lasting for Dorchester students. Last year, we developed an assembly and workshop model—something that was totally new to the schools in our county. In the past, we had only ever had large group assemblies. These performances felt like “one and done” experiences and it was hard to measure the impact of this limited exposure to the arts on our students. By adding workshop sessions, we were able to reach more students in a more significant way because they had a hands-on experience with Young Audiences performing ensembles WombWork Productions and Quest Visual Theatre.

This assembly and workshop model was successful, but we thought there was still more to be done to truly impact the culture and climate of our schools through the arts. Artist-in-residence programs have the feature of offering professional learning opportunities to teachers while providing ongoing workshop opportunities to students. Although this was the type of program we believed our schools needed for the arts to have the maximum impact, we told Young Audiences that there was no way that we would be able to afford it. But with Young Audiences’ help, we began applying for grant funding to help alleviate the cost and make it happen.

Beginning last spring, we wrote Maryland State Arts Council Arts in Education Artist-in-Residence Grants to bring programs to seven Dorchester elementary and middle schools of the 11 total schools in our district. To supplement this funding, we also applied for a grant from a local foundation, the George B. Todd Fund and for supportive funds from the local Dorchester Center for the Arts. We hoped to bring WombWork back to build on the work they did with our students the year before, as well as bring beatboxer Max Bent and Hip Hop poet Bomani to our students. These Young Audiences artists were chosen to address the specific needs each school had identified as a part of their school improvement plan, including interpersonal skills, bullying prevention, math, and language arts.

Max Bent

These programs were as much for the kids as they were for the teachers. When Max came to our elementary schools, his enthusiasm brought a lot of energy to the kids and appealed to those kids who needed a different kind of artistic outlet. His program crossed cultural stereotypes and appealed to a wide-range of kids—and adults. Our teachers were reluctant at first, but Max was able to bring everyone into the experience. During pre-program meetings with Max, teachers were impressed that he was able to speak their language. His art form became more than just a nice enrichment activity, but one that made a strong connection to curriculum. Max was interested in what specific units and standards the teachers were working on at the time, and how he could incorporate beatboxing. He wanted to do more than tie into grade-level concepts, but ensure that it was focused and timely in the curriculum. That approach enhanced the partnership feeling between artist and educators.

During the professional development workshops, Max showed teachers how beatboxing can uniquely link to fractions. It was a distinctive example of how educators have to challenge themselves to come up with new and unique ways to teach the material instead of the same ways they’ve always taught.

In another one of our schools, Mama Rashida and WombWork worked with one classroom that had a reputation for negative behavior and not staying on task when an outsider visited. When we visited this class to observe them working with Mama Rashida on the play they were creating to perform for their peers, every single student was engaged and working together on the activity. Mama Rashida’s knowledge of young people and how to quickly build relationships helped support our students emotionally so that the group could get to the important work of learning the language of virtues. This experience proved to us—and to the students—that they have the ability to be college- and career-ready middle school students. They now have a relationship with their classroom teacher that they may not have had without this program.

When Max’s residencies began, we thought kids may be reticent about getting up in front of their peers and performing. At both culminating events at the close of the residencies, there was an overwhelming show of hands of students who wanted to get up and demonstrate what they had learned. It was exciting to see our kids transform into performers and there was no judgment. Even when a child got up and made a mistake, other students didn’t call them out. They were supportive of each other. Seeing this program’s contribution to a positive school climate, as students worked together on projects and supported each other, was a wonderful side effect of our residencies this year.

Maryland State Arts Council (MSAC) provides schools with AiE grants to support artist-in-residence programs. These grants can subsidize up to 30 percent of the total cost of a Young Audiences residency program, including travel costs. The application deadline for programs occurring next school year is Friday, May 15, by 5 p.m. Read more about this opportunity at yamd.org.