Innovative Program Brings Arts Integration to Early Childhood Education in Baltimore

Baby Artsplay!™ provides multi-sensory learning at Judy Centers with funding from Saul Zaentz Foundation

BALTIMORE – Beginning this month, hundreds of Baltimore’s youngest children, their families, care providers, and educators will engage in hands-on, arts-integrated programs at five Baltimore City Public School Judy Centers that support early childhood education and expand kindergarten readiness. This innovative new initiative is being offered by the local nonprofit, Young Audiences of Maryland.

Baby Artsplay!™, a nationally-renowned program developed by the Wolf Trap Institute for Early Learning Through the Arts, serves infants and toddlers from birth to age three and the family members and educators who play a critical role in their development. Wolf Trap is a nationally respected leader in early childhood education research and programming and is supported by the U.S. Department of Education.

“Research shows that early childhood programs are critical to school readiness and that the arts foster language development as well as social and emotional development, creativity, and self-expression—all of which contribute to school readiness and the long-term success of kids.”

The program’s creative caregiver/child workshops, classroom programs, and professional development for caregivers are led by teaching artists—professional artists who have been trained by Wolf Trap to integrate their art forms into more traditional learning settings.

The launch of Baby Artsplay!™ in Baltimore is funded through a $360,000 grant from the Saul Zaentz Foundation. The program is now offered in several cities including Indianapolis, New Orleans, Fairfax, and Pittsburgh.

Through Young Audiences, Baby Artsplay!™ programming began in October at five Baltimore City Public School Judy Centers and their care provider affiliates. The Judy Centers include: Liberty Judy Center, Moravia Judy Center, Harford Heights Judy Center, Lakeland Judy Center, and the DRU Judy Center at Dorothy I Height Elementary. Judy Centers throughout Maryland provide wrap-around services for early childhood development and parenting support.

Baby Artsplay!™ programming includes:

● Caregiver/Child Workshops: Caregivers and their children work with teaching artists in the performing arts to enhance parenting and playtime techniques by incorporating singing, dancing, drama, and multi-sensory experiences. Teaching Artists guide caregivers as they engage with their children, encouraging mindfulness and intentionality in common parenting practices such as rocking children, singing to them, and more. These free, drop-in workshops also provide tips to continue the approach at home.

● Teaching Artist Residencies: Teaching artists work with teachers and care providers to create arts-integrated experiences in their classrooms that provide social and emotional, empathy-filled learning to children. Teaching Artists guide teachers and care providers in research-based techniques similar to those in parent workshops, all with the goal of aligning joyful learning with children’s developmental needs.

● Professional Development: Pre-K teachers, kindergarten teachers, and care providers convene at Judy Centers for an immersive, three-hour professional development experience to build skills in creative childhood development using research-based arts-integrated approaches.

“Research shows that early childhood programs are critical to school readiness and that the arts foster language development as well as social and emotional development, creativity, and self-expression—all of which contribute to school readiness and the long-term success of kids,” said Stacie Sanders Evans, Young Audiences President & CEO. “We are thrilled that, thanks to the Saul Zaentz Foundation, we can infuse the arts into the development of children in the first years of their lives.”

“Baby Artsplay is an engaging program with a great teacher and is a big draw for our Judy Center families with babies and toddlers,” said Crystal Francis, Director of Early Learning at Baltimore City Public Schools. “Thank you to Young Audiences and the Saul Zaentz Foundation for helping to make this program possible.”

Young Audiences Arts for Learning Maryland

About Young Audiences/Arts for Learning:
Started in Baltimore in 1950, Young Audiences is the nation’s largest arts-in-education provider. As the Maryland affiliate, Young Audiences/Arts for Learning (YA) is devoted to enriching the lives and education of Maryland’s youth through educational and culturally diverse arts programs. Through Young Audiences, professional artists from all disciplines partner with leaders and schools for over 7,000 hands-on arts learning experiences that reach more than 190,000 Maryland students. Young Audiences envisions a Maryland where the arts are valued for their capacity to transform lives, and where every student is immersed in opportunities to imagine, to create, and to realize their full potential.

Kindergarten students use crayon to draw stalk of broccoli from real life.

Sowing a Big Idea: Growing Up Green

Some big ideas are meant to be shared. It is through partnership and collaboration that the big ideas grow roots and become an integral part of something even bigger. In 2015, Pat Cruz, YA’s then-chief innovation officer, and educator Mary Kate Bransford had a dream. What if every kindergarten classroom in Prince Georges County Public Schools (PGCPS) had an arts-integrated environmental literacy program?

Their big idea brought together twenty teachers and five teaching artists to write a five-day lesson plan that both met environmental literacy and visual art criteria and explored themes like habitat restoration, local ecosystems, the life cycle of plants, and the lifecycle of animals for a brand new program: Growing Up Green. The program, a partnership between Young Audiences and the Prince Georges County Office of Environmental Literacy, would be piloted in 17 schools in the district in the 2015-16 school year.

Teaching artist Bomani guided students in writing poetry about worm composting!

That first year resulted in the creation of five separate 5-day arts-integrated environmental literacy lessons. Teaching artists worked side by side with kindergarten teachers all five days of the program with the goal of handing off that role to each individual school’s art teacher in future years. To prepare teachers, Kristina Berdan, Young Audiences Education Director, trained teacher ambassadors, kindergarten lead teachers, and art/music teachers to use the arts as a teaching tool in their classrooms. “I used to think art was a product of a lesson,” said one kindergarten teacher in Prince George’s County Public Schools after being trained in arts integration through Growing Up Green. “Now I think art is the process to achieve the objective.”

The team constantly listened, assessed, reflected, and revised, resulting in a comprehensive catalog of resources for teachers and the refinement of, in the second year, four unique residencies instead of the initial five, and then in its third year, one: Fiber artist Pam Negrin‘s The Lifecycle of Plants. Kindergarteners and their teachers explored nature with their real-life senses—looking, smelling, touching—to not just learn about our natural world, but experience it. Classrooms across the district were outfitted with custom-made embroidery tables where students could gather and stitch their observations, building with and learning from one another. “We think with our hands and when students are immersed in a lesson together, they begin to make their own connections,” said Pam. From sharing what they learned during the school day at home to internalizing and remembering more information, the effects on learning were so profound that once-resistant teachers embraced learning through arts integration and extended it into other content areas.

Embroidered tapestry illustrating the life cycle of plants

Growing Up Green combines the arts and time outdoors with making connections between humans and the environment and brainstorming solutions. “The program gets kids outside and thinking about the bigger picture and the combination of all the elements of the program supports the district’s goals,” said James Roberson, PGCPS Instructional Specialist for Environmental Literacy. And after the lessons have ended, classes are left with beautiful embroidered tapestries they can share with the school community. “The tapestries are a great way to showcase what they’ve learned.”

Our state was the first in the nation to approve an environmental graduation requirement for all Maryland students. In 2011, the school board created Environmental Literacy Standards that would support the growth of the planet’s next generation of stewards. Prince George’s County Public Schools is intentionally integrating these standards into the PreK-12 curriculum, and through Growing Up Green, they are successfully reaching the county’s youngest students. This is the first year that PGCPS is running Growing Up Green without Young Audiences’ support. “Young Audiences has been an outstanding partner over the last four years,” said Roberson. 

A child assembling a laser-cut, wooden birdhouse
FutureMakers helped kindergarteners make custom birdhouses!

“I’m really impressed by how different teachers have taken what they learned and run with it,” said Jhanna Levin, PGCPS Environmental Literacy Outreach Teacher. As a result of Growing Up Green, teachers in the district’s Autism Program, for instance, have embraced the art of embroidery, the fine motor skills it develops, and the calm it inspires. “It soothes the kids in a way they weren’t expecting.” Levin, new to the department, has taken the reigns of Growing Up Green and nurtured the development of teachers new to the program as well as veteran educators. She is constantly checking in and helping the teachers to do what works best for them.

She is holding a training session this coming January for lead kindergarten teachers to explore additional arts integration techniques for classrooms and it’s not just new teachers who are looking forward to it. “We’re talking about turning T-shirts into yarn and using dance for the observational piece,” said Levin. James Roberson added, “We’re really excited about what Jhanna brings to the program.”

Growing Up Green was a tiny seed that with research and tremendous effort and love, Young Audiences was able to sow. Through the amazing partnership we’ve had with PGCPS, we’ve seen the program evolve and take shape in a way that both works best for the district and stays true to the vision of Growing Up Green at its conception. We are extremely proud to see the district take charge and continue nurturing and developing this incredible program. Levin said, “There are teachers who have done this for three years now and they say, ‘Just give us the materials. We’ve got this.'”

The heel of Quynn's red and black tap shoes strikes the floor in the foreground. In the background, kindergardeners' tennis shoes imitate the dance step.

I Am Ready: Early Learning and the Arts

When Quynn Johnson steps into the Pre-K and Kindergarten classrooms at Margaret Brent Elementary School in Baltimore City, she is met with hugs and big, bright smiles. The students love that they’ve been learning to tap with the artist and they’ve been waiting patiently for her to return. “What do I do?” the artist asks. “You make music with your feet and you keep a steady beat!” the students respond.

Quynn is a multi-award-winning performing artist, choreographer, author, and the co-director of SOLE Defined, a percussive dance company. Though she has performed tap dance for national and international audiences, on this morning, she is captivating our state’s youngest learners—not on a stage, but in a classroom—through rhythm, imagination, and dance. Already a professional teaching artist on the Young Audiences roster, Quynn is now training to also become a Maryland Wolf Trap Artist

A kindergarten student models a "heel-toe" tap movement by striking the heel of his sneaker to the floor. His classmates sit in a circle on the rug and watch carefully.

As the Maryland regional affiliate of Wolf Trap, Young Audiences is proud to be expanding access to the arts for Maryland’s youngest students during the critical early learning years. 

High-quality early childhood education is absolutely essential to giving children the best possible start in school and in life. Decades of practice and research prove that integrating the arts into classroom experiences contributes to greater academic achievement and social/emotional development for our youngest students. The creative collaboration between teachers and artists in the Wolf Trap residency builds foundations and fuels momentum in arts-integrated early learning classrooms.

Students and teachers sit in a circle on the floor, feet outstretched. Children imagine their colorful sneakers are transformed into tap shoes and are in position to stomp out beats.

The children sing along with the artist to the tune of Frère Jacques, “I am ready, You are, too, Eyes on the teacher, We’re going to learn.” Everyone knows the song and everyone is excited to sing it—first in English, then in Spanish.

Estoy listo
Estás tambien
Ojos en la profe
Vamos a aprender

Quynn made up the song while teaching in the Summer Arts & Learning Academy last summer, but now sings it with students in lower elementary grades at every school she visits. Mrs. Jager, the Kindergarten teacher, likes it, too. She uses “I am ready” as a transition song all the time—and her students will remind her if she forgets!

The artist is not only here to teach the young students how to tap, she is here to build the teachers’ skills and knowledge and demonstrate how to integrate the art form into their lessons throughout the year. This embedded professional development is something that distinguishes the Wolf Trap Early Learning Residency from other artist residencies.

As Quynn leads the students in an exercise stomping out beats, another skill is being fortified. They are identifying patterns and practicing word sounds like “Apple, apple, ah, ah, ah,” and “Bat, bat, buh, buh, buh.” The classroom teachers and the artist work together to tailor the residency to each particular classroomdeciding how refined the dance movements should be for each age group and which literacy skills to focus on.

“The process is pretty new and different to me but I like it,” said Quynn. The artist pays particular attention to teach the elements of her art form that educators will feel comfortable utilizing in the futureand not just off the cuff, but with some artistic integrity. “I think the embedded PD portion is a great way to keep the teachers involved and shows them how it doesn’t have to be its own lesson but can be incorporated within what they’re already doing. I never want them to feel like it’s unreachable.”

By the end of Quynn’s residency in the Pre-K and Kindergarten classrooms, the students know how to keep a steady beat on their feet, and they remember a beat pattern and two basic tap steps. And the teachers can connect the art form to literacy—leading students to sound out words and sounds with their feet. “They both felt great and comfortable with everything we did in class and I could hear them using it after our time was over.” They were ready.

Eighty-five percent of brain development occurs during the first five years of a child’s life. Participation in the arts encourages positive growth in a child’s emotional, physical, intellectual, creative, and social development. As the Maryland affiliate of the Wolf Trap Institute for Early Learning Through the Arts, Young Audiences expands access to the arts for Maryland’s youngest students during the critical early learning years. Bring a Maryland Wolf Trap 16-Session Residency into your school.

smARTbeats

Rock and Roll and Learn: smARTbeats returns with Elias Schutzman

smARTbeats returns to WTMD this Saturday, March 10 during the weekly children’s program Young At Heart! On this month’s segment, host Lisa Mathews sits down for a chat with Young Audiences teaching artist and internationally renowned resident rock and roll drummer Elias Schutzman!

For over five years, Elias has been performing interactive story-telling assemblies in public schools throughout Maryland, and in 2016, began enchanting Maryland’s youngest students and enriching learning in Pre-K and kindergarten classrooms through his work with Wolf Trap Institute for Early Learning Through the Arts. Last summer, he joined the ranks of teaching artists in YA’s groundbreaking Summer Arts & Learning Academy, immersing Baltimore City children from Title 1 schools in an engaging arts-rich program that sends children back to school in the fall ahead, inspired, and ready to learn.

“Music is a universal language that touches us all. It’s food for the soul,” says the artist. “Through song, rhythm, and storytelling, I hope to release the young imagination to explore here, there and everywhere.”

When not in the classroom, you can find Elias playing drums in venues all over the world with The Flying Eyes and Black Lung. The Baltimore native attended the Baltimore School for the Arts and went on to receive a BA in Theatre from the University of Maryland, College Park, leading him to work with local theatre companies such as Center Stage, Everyman Theatre and most recently the Baltimore Rock Opera Society.

Young At Heart airs weekly from 7 to 8 am on Saturdays, featuring music that appeals to parents and children alike. Previous shows have featured music by Wilco, David Bowie, Andrew & Polly, Weezer, and others.

Listen to YA teaching artist and musician Elias Schutzman online now!

YA Teaching Artist Elias Schutzman (standing, center) leads his students in their culminating performance at the 2017 Summer Arts Learning Academy.

Changing Perceptions: I Used to Think…

Written by Barbara Krebs, a Young Audiences volunteer and Sunburst Society member.

Colorful sticky notes adorned the walls of the classroom. Like before-and-after photos of an amazing remodel, the notes told the story of how a group of Head Start teachers in Southern Maryland unveiled their hidden talents to reach their young students through the arts. The ‘before’ stickies began, “I used to think…” Teachers filled in the rest of the sentence with thoughts such as, “dance, music and theatre weren’t that effective,” or “movement and story time could not go together,” and “it was hard to integrate the arts into the classroom.”

Then, as Young Audiences teaching artists demonstrated techniques that blend learning and the arts, the Head Start classroom teachers began making their own artistic/educational connections – connections that would help them return to their classrooms and engage kids in ways they had been hesitant to trust before. They soon realized that when kids are singing, dancing, and moving, it’s easy for them to forget that they’re actually learning!

Khaleshia Thorpe-Price (center)

The Professional Development course was held on February 17th and sponsored through the PNC Grow Up Great® initiative. Created to help children from birth through age five develop a passion for learning that lasts a lifetime, the program generously funded training that provided Head Start teachers with a variety of resources to increase learning, engagement and confidence by incorporating art into the curriculum.

Three YA teaching artists, musician Lisa Mathews, actor Khaleshia Thorpe-Price, and dancer Anna Menendez, taught the group. They learned, for example, how to use dance tools to create patterns, how to use their bodies and musical instruments to express themselves, and how the use of props and different character voices can more fully engage students in story time. At the end of the class, each teacher was tasked with writing and presenting a lesson seed in each art form for when the class reassembled in May.

Before: “I used to think…”  Head Start teachers in Southern Maryland wrote down their ideas about art in education before completing the professional development course led by YA teaching artists.

“It was very evident from their participation on the first day and their reflections on the second day that teachers were excited about these arts strategies and implemented them immediately,” explained Kristina Berdan, YA’s Education Director. “Having strong backgrounds in social and emotional learning, they were able to quickly experience and understand the impact that the arts can have on this kind of growth in young people. Most of them tap into the arts regularly through chants and songs, yet these professional development opportunities allowed them to learn deeper, more meaningful strategies in and through the arts. The ‘ah-ha’s and feelings of excitement were palpable!”

After: “Now I think…” Teachers reflected on what they learned and how teaching through the arts can inspire learning.

For some, wariness about the role arts could play in the classroom had been replaced with a newfound willingness to incorporate them into their lesson plans. Through the introduction of dramatic play and puppetry, for example, students had a greater understanding of the stories they read in class than they did before the professional development course. One Head Start teacher, Jessica Wiley, summed up her experience in YA’s Professional Development class this way, “The ideas and suggestions were practical, applicable, and personalized. I love how Young Audiences was able to address our questions, challenges and concerns very well.”

The teachers ended the day completing sentences on sticky notes that began, “Now I think…” Their statements showed how their opinions about using the arts as a tool for learning had evolved from hesitancy to a feeling of openness and anticipation, writing, “you can use music in all areas of teaching,” and “dance can be a calming technique,” or “movement in story time is helpful to keep children engaged.”

For Maryland’s youngest students, the new strategies will be especially impactful. “Head Start supports our nation’s most vulnerable children by offering a comprehensive, high quality early-learning experience that prepares them for kindergarten and strengthens family participation in their children’s learning,” said Yasmina S. Vinci, executive director, National Head Start Association.

Like any successful renovation, the before-and-after sticky notes showed what can be created when you effectively blend harmonious elements – education and the arts – to capture a child’s natural desire to learn.

Mrs. Lee and Ms. Lyons

Maryland Wolf Trap Residency with Katherine Lyons

Unique and innovative arts-based strategies are captivating young audiences in Maryland classrooms. At Margaret Brent Elementary/Middle School in Baltimore City, the very youngest students are excited to connect to literature with actress and master teaching artist Katherine Lyons through movement and theater as part of a Maryland Wolf Trap residency.

Katherine creates what she describes as “hands-on, multi-sensory story experiences” by having children actively participate in the telling of the story. Physical motions are assigned to important objects and costumes help illustrate characters. To prepare for Katherine’s arrival on this day, Pre-K teacher Mrs. Lee asked her students to draw what they think will happen in the story. They hung one prediction on a clothesline.

Hanging characters on the clothesline
Hanging characters on the clothesline

Now, at the front of the room, between Katherine and Mrs. Lee sits a ‘story box’ filled with clues describing the characters in the story. One by one, a student pulls from the box a tool or an article of clothing, then the class takes turns guessing who the clues belong to.

As each character is identified, one student hangs a picture representing the character on the clothesline and another student becomes the character. The students use each of their senses to connect to the story, made ever more lively through the introduction of gestures, chants, and props. “Costumes help bring the story to life,” Mrs. Lee said. “The class is more interested and invested in story time when they get to use props and act it out.”

Farmers Digging and Planting
Mimicking the movements a character makes (digging and planting)

Once story time is completed, Katherine and Mrs. Lee begin planning lessons that they will co-teach. Every Wolf Trap program includes embedded professional development to build teachers’ skills and confidence in arts integration techniques. Teaching artists work with classroom teachers to learn effective ways to engage students in participatory activities that involve all the senses and encourage critical thinking, creativity, communication, and collaboration. This ensures that the arts remain a strong part of the classroom teachers’ lessons long after the residency ends.

Mrs. Lee plans to continue to use these new strategies during an instruction block that includes literacy, social studies and science, but she’s excited to try them out in other areas of the curriculum as well. “I may use the story box with some counting stories and to help illustrate word problems in math!”

assigning a gesture for a box with a top

Eighty-five percent of brain development occurs during the first five years of a child’s life. Participation in the arts encourages positive growth in a child’s emotional, physical, intellectual, creative, and social development. As the Maryland affiliate of the Wolf Trap Institute for Early Learning Through the Arts, Young Audiences expands access to the arts for Maryland’s youngest students during the critical early learning years. Bring a Maryland Wolf Trap 16-Session Residency into your school.

YA and Wolf Trap Present ‘Beautiful Surprises’ at 2016 Arts Education Partnership National Forum

Beautiful Surprises
A scene from “Beautiful Surprises,” a short documentary highlighting how arts-integrated learning can have a powerful —and sometimes unexpected— impact on students and educators through the Maryland Wolf Trap Early Learning Through the Arts Program.

The Arts Education Partnership, a national network of organizations, is dedicated to advancing the arts in education through research, policy, and practice. Its annual conference, Arts Education Partnership National Forum: The Arts Leading the Way to Student Success, Oct. 5-7 in Denver, Colo., draws some of the nation’s most influential arts and education leaders. Attendees convene to explore arts-centered solutions as states across the country implement higher learning expectations aimed at ensuring America’s young people leave high school ready for college, careers, and citizenship.

The AEP National Forum provides a valuable platform for examining rigorous research, promising education policy, and effective practices designed to significantly improve student outcomes, both during the school day and out-of-school time. Young Audiences/Arts for Learning of Maryland and Arts for Learning/Miami are joining the Wolf Trap Institute to present Beautiful Surprises: Reaching Learners with Special Needs through Arts Integration to attendees of this year’s conference.

During the session, panelists from Wolf Trap and Young Audiences will share the short-film “Beautiful Surprises,” explore the substantial benefits of early childhood arts integration for learners with disabilities, and provide ten steps to designing an inclusion program. Panelists include:

Jennifer Cooper
Director, Wolf Trap Institute for Early Learning Through the Arts

Kurtis Donnelly
Director, Maryland Wolf Trap
Chief Operating Officer, Young Audiences of Maryland

Betsy Mullins
Director, South Florida Wolf Trap
Artist Services Director, Arts for Learning, Miami

Sue Trainor
Master Teaching Artist, Wolf Trap Institute for Early Learning Through the Arts

Arts integration is a valuable tool for reaching multiple learning styles across the curriculum and is linked to enhanced academic outcomes and social/emotional development, including for children with special needs. Wolf Trap Institute affiliates Young Audiences/Arts for Learning of Maryland and Arts for Learning/Miami are both making great strides in their communities by providing intensive inclusion training for teaching artists.

Learn more about our work in early childhood education through the Maryland Wolf Trap program. Get more information on the Arts Education Partnership (AEP) National Forum: The Arts Leading the Way to Student Success and join the conversation online with #AEPNF16.

Growing Up Green: Hip-Hop Poetry and Composting

 Growing Up Green: Poetry and Composting

Growing Up Green: Hip-Hop Poetry and Composting

Teaching Our Youngest Learners Environmental Citizenship Through the Arts
Part 2: Local Ecosystems

This Spring, Young Audiences wrapped up the initial phase of its pilot programming for Prince George’s County Public School District’s new arts integration initiative, Growing Up Green. We introduced the program in an earlier blog post, but here is a refresher for those who missed it:

The initiative is part of an exciting new partnership between Young Audiences/Arts for Learning and Prince George’s County Public Schools and is funded in part by a BGE Green Grant and the Chesapeake Bay Trust. The program engages kindergarteners in meaningful and authentic outdoor experiences that help connect them to their local ecosystems and inspire them to learn more about protecting our environment. The arts provide the vehicle that the students use to demonstrate and communicate their understanding to the greater learning community of their school.

Bomani, a Young Audiences Teaching Artist, began his pilot program by using poetry to investigate the process of composting with five groups of Kindergarten classes at three different schools: John Hanson Montessori, Oxon Hill Elementary, and Benjamin Foulois Creative and Performing Arts Academy. Over 80 kindergarteners had the opportunity to literally get their hands dirty in hands-on learning while understanding everything from what type of trash can be composted to why we need to grow food. Read on to hear more about Poetry and Composting from Bomani:

“Growing Up Green was a learning experience for me. I had done residences with kindergarteners before, but never where the final project had to narrate a sequence. Usually, when I’m working with kindergarteners, we are having fun working with rhyming words, and we can make up definitions for them and write like Dr. Seuss, creating an imaginary world.

This workshop offered something new, a tangible, in-your-hands experience that’s different from my usual history- or social studies-based residencies. But what is the root of this imaginary world for this particular workshop? We start with a shared experience.

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Students learn the ingredients and components to the composting process. I asked the students what they already knew, and then we would question and discuss the most important things. It doesn’t really matter what the subject is, as long as kids have a shared experience to draw from, all getting to feel, touch, smell, discuss; when we start throwing out ideas, we can better interact with each other.

One of the reasons I love group creative-writing sessions is because the conversations that go on in a group setting are the same internal conversations that go on in a writer’s head. Showing that process to young people in a physical way, where they are acting out how ideas are communicated — ‘what about this idea, what about that idea, we should take this back, we should add that in there!’ — helps them to better understand complicated topics like composting.

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One student would forget one part, and another would remember and say, ‘Oh you forgot the part about adding the paper!’ And they would all respond ‘oh yeah!’ and a conversation about the process of composting would develop further, which would inevitably lead to other discussions surrounding composting, like ‘Why do we need more trees? Why do we compost in the first place? Why and where do we grow food?”

The writing process began with the teachers and I adding the “odd” lines — the first line — and then students brainstormed the second line for the couplet, coming up with the rhyming components. At first, I was worried about how heavy-handed the adults in the room would need to be for it to make sense, but the students came up with some amazing things! Here’s a great example:

“Put holes in the bin so the worms get air,
Holes in the bin show worms you care,
Put strips of paper and some leaves,
Paper and leaves come from trees,
Add food scraps and coffee grinds,
You just need some time
Put the top back on, they don’t like sun,
Composting is very fun!”

Usually, there’s one student in every class that starts off really nervous about moving their body, using their voice or raising their hand. One young lady at John Hanson Montessori was very quiet at first but over the course of the class, her teacher came up to me and said, “She’s completely opened up!” With younger students, they typically have less fear than older kids, but for many of these children, English is a second language so it’s sometimes hard to communicate quickly or expressively.

This one student was able to open up because I kept repeating, ‘someone tell me a bad idea’ or ‘someone say something that’s not exactly right yet, but you think it’s almost there.’ Giving the young lady that freedom made it easier for her to open up. She would raise her hand and say something, and I would say ‘Oh! That’s not quite right, but please keep trying, I love where you are going with that! Rethink that, talk to your neighbor and come back to me.’ She got used to the idea of not being afraid of the wrong answer because we are all collectively looking for the right set of words.

There’s a line in one of the songs where they rhymed the word “word’ with “serve” as a near-rhyme. The teachers all agreed that “serve” was not the easiest to rhyme with, but when we asked the kids to vote, they picked “serve,” so we went with it! I prepped the kids for this more difficult rhyme, saying ‘you know, if it doesn’t work out, it’s okay, we can always back-track, but since you all voted on it, we’ll try it out and see how it works.’ I let them huddle up, and I got back a whole bunch of excellent ideas about how to use the word ‘serve’! Below is the final line we used in the poem:

Composting is how we serve, and we use this rap to spread the word!

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One of the side effects of this workshop, let alone the main idea of composting, is that it gets kids really excited about words and about articulating thoughts. Kindergarteners were constantly trying to find ways to tie in words to create new ideas, really stretching themselves and questioning the meaning of words.

In all honestly we probably did underestimate the ability of one 6-year-old to use ‘serve’ in a rhyme, but with 30 of them together all talking about it, they figured it out! Each rap came out really well!

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Teaching Children Not to Be Afraid of Giving the Wrong Answers

Ever wondered why kids say they’re bored at school, or why they stop trying when the work gets harder? In this essential video on Fixed vs. Growth mindsets, Educationalist Carol Dweck explains how the wrong kind of praise actually *harms* young people. This short video is essential viewing for everyone — from teachers and education workers to relatives and friends — which promotes GROWTH rather than “fixed” mindsets in students.

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Help Fund This Program!

Your tax-deductible donation will help support programs like Growing Up Green.

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Donor Spotlight: T. Rowe Price Foundation

Since 1950, Young Audiences of Maryland (YA) has significantly expanded the availability of educational and culturally diverse art programs for Baltimore City youth. YA’s programs are delivered in multiple settings including schools, libraries, and community centers. In 2013, YA grew its capacity to serve our youngest students by becoming the sole Maryland affiliate of the Wolf Trap Institute for Early Learning Through the Arts. Wolf Trap, the National Park for the Performing Arts, has spent the last 30 years developing the 16-session arts-based residency model, which supports improved literacy and STEM (Science, Technology, Engineering, and Math) skills in early learners.

During the residency, trained teaching artists work with classroom teachers through a comprehensive modeling and collaborative co-teaching approach to build teachers’ arts-integration knowledge and skills and enable them to incorporate new practices in their classrooms. A 2006 Wolf Trap study¹, supported by funding from the U.S. Department of Education, showed that preschool students whose teachers participated in Wolf Trap residencies grew in every measured area and strengthened their math, literacy, creativity, and social and emotional skills.

In 2014-15 alone, Young Audiences served 52 teachers—and 1,163 Baltimore City pre-k and kindergarten students—through the Wolf Trap residency program. The T. Rowe Price Foundation has been a longstanding supporter of YA and, more recently, the Wolf Trap Early Learning classroom residency program. Since its founding in 1981, the T. Rowe Price Foundation has worked closely with nonprofits to identify innovative solutions that improve educational outcomes for youth and enrich community life. YA is grateful to the T. Rowe Price Foundation for supporting our work for nearly 20 years and for helping to launch the Wolf Trap initiative in Baltimore.

T.Rowe-Price-FoundationAccording to John Brothers, the Foundation’s president, “We have been pleased to support YA and its mission of integrating arts into the educational process, particularly for children who have limited exposure to the arts. The classroom residency program is backed by research and the Wolf Trap Institute’s ongoing commitment, and it aligns with the Foundation’s desire to support innovative practices that enhance educational opportunities and outcomes for youth.”

Through the combined efforts of YA and the T. Rowe Price Foundation, Baltimore City’s youngest low-income students have a greater opportunity to gain the skills and knowledge that they need to succeed in school and in life.

Learn more about how our Wolf Trap classroom residencies can motivate and empower early learning teachers and their students!

For more information about the T. Rowe Price Foundation, please visit their website.

¹Klayman, D. (2006). Executive summary of the final evaluation report for Fairfax pages professional development project: An effective strategy for improving school readiness. Potomac, MD: Social Dynamics.

Growing Up Green: The Life Cycle of Plants

Growing Up Green: Teaching Our Youngest Learners Environmental Citizenship Through the Arts

Part One: The Life Cycle of Plants

Growing Up Green

We think with our hands, and when students are immersed in a lesson together, they begin to make their own connections.”

We are in the midst of pilot programming for Prince George’s County Public School’s new arts integration initiative—Growing Up Green, a Kindergarten-level, environmental literacy program. The initiative, part of an exciting new partnership between Young Audiences/Arts for Learning, the Chesapeake Bay Trust, and Prince George’s County Public Schools, is funded in part by a BGE Green Grant and the Chesapeake Bay Trust.

The program engages kindergartners in meaningful and authentic outdoor experiences that connect them to their local ecosystems and inspire them to protect our environment. The arts provide the vehicle that the students use to demonstrate and communicate their learning to the greater learning community of their school.

Growing Up Green

Growing Up Green residencies are divided into four major themes—Habitats, Local Ecosystems, The Life Cycle of Animals, and The Life Cycle of Plants.

One of the first YA teaching artists to pilot this program was textile artist Pam Negrin. Pam chose “The Life Cycle of Plants” for her residency with the Kindergarten class at Rockledge Elementary School. “One of the tenants of this initiative is just getting kids outside!” With cuts to recess, these residencies provide purposeful outdoor experiences that directly engage students with their surroundings and sharpen their observation skills.

Along with being outside, one of Pam’s favorite things about Growing Up Green is “giving students a chance to experience wonder.” She and the students had several surprises while exploring the hidden parts of plants everyone gathers at the beginning of the residency. After reading about what constitutes a “fruit,” students sort their treasures—dandelion, sweet gum fruit, crepe myrtle seed, milkweed—into the appropriate plant life phase: seed, seedling, mature plant, flower, or fruit. The students loved playing a game where they had to accurately categorize collected plant life alongside familiar food found in a grocery store by exclaiming “fruit!” or “not fruit!”

Growing Up Green

Early on in the pilot program, students gathered an assortment of “fruits” resembling spiky balls that fall from sweet gum trees. Even though most attempt to avoid these prickly pods, the students gave no hesitation in cracking them open to find hundreds of seeds! Once the plants were sorted, the students began to observe and draw each part. Using their original drawings as a visual guide, and after learning some basic embroidery stitches, they collectively stitched a large-scale embroidery depicting the life cycle of plants. “Kids are stitching around the table with each other, working in groups, exploring together. Really, collaboration is another strong aspect of Growing Up Green,” says Pam. “We think with our hands, and when students are immersed in a lesson together, they begin to make their own connections.”

Growing Up Green

Ultimately, Growing Up Green can naturally make children stewards of the environment, “not because we taught them preservation is important in a textbook, but because they were outside experiencing it for themselves.” Pam adds, “this residency reminded me that the more immersed I can be in what the students are learning in their core curriculum, and the more I experience the wonder and excitement of that learning, the more I have to share with my students and the stronger the arts integration.”

Growing Up Green

The program also provides teachers the tools to creatively engage students in curriculum-based learning through arts integration long after the residency has ended. In fact, one of Growing Up Green’s primary missions is to ensure the program’s long-term sustainability in the classroom. Once the residency ends, the arts integration techniques that were taught during the residency help teachers to more accurately and confidently employ environmentally based learning strategies into their current lesson plans. Ideally, once the piloting phase of the program is complete, Growing Up Green will become embedded into the core science and social studies curriculum of Prince George’s County Public Schools.

By partnering with the Chesapeake Bay Trust to arm schools with relevant, local environmental data to meet district-level standards, and by doing our part to provide teaching artists and professional development in arts integration, this program could not be more equipped to succeed.

Video: Growing Up Green @ Rockledge Elementary

Growing Up Green aligns with Environmental Literacy Standards, Next Generation Science Standards, Common Core State Standards, and Visual Arts Standards.

Support Young Audiences on This #GivingTuesday

#GivingTuesday

Do you have a favorite childhood arts experience? Do you believe the arts should be a part of every child’s education?

Consider #GivingTuesday as an opportunity to support Young Audiences/Arts for Learning as a way to provide thousands of Maryland students—from Pre-K to 12th Grade—with inspiring, engaging, and transformational arts experiences.

Young Audiences’ roster of more than 100 professional teaching artists provides thousands of arts learning experiences to more than 450 schools and community organizations in every corner of Maryland, reaching over 180,000 students.

#GivingTuesday

Support Young Audiences of Maryland with your tax-deductible donation.

Your support of Young Audiences ensures that we can: 

  • Bring the arts into schools all year long by partnering with dozens of professional artists who live in our very own communities, whether they are musicians, dancers, actors, playwrights, poets, or potters, and giving them the opportunity to do what they do best—perform, create, and inspire.
  • Reach schools in rural counties and urban areas, and schools that serve students with special needs by creating access to the arts and lowering financial barriers.
  • Train artists by helping them understand how to use their art as a tool to teach children of all abilities and how to work in different settings—from preschool to high school, in school or after-school.
  • Train teachers of all subject areas to use the arts as a way to engage students in the learning process and reach different kinds of learners with proven arts integration techniques.

Learn more>> What Your Gift Supports

Consider Joining the Solstice Club

Join the Solstice Club

Join the Solstice Club as a Monthly Donor

Through monthly donations, the Solstice Club provides Young Audiences with a consistent and reliable source of funding that allows us to plan ahead—bringing light all twelve months of the year.

When you join the Solstice Club, you will join a special group of people who provide a monthly donation—of $10 or more—to support arts programs for students and professional development for teachers.

Join the Solstice Club

YA Forges New Arts Integration Partnership

Young Audiences and Prince George's County Public Schools Forge New Arts Integration Partnership

A teacher from Oxon Hill Middle School personally thanked Young Audiences during a post-event gathering for bringing the Literature to Life program to Prince George’s schools. After a performance of “Black Boy,” a verbatim adaptation and stage performance of the classic American literary work by Richard Wright, he said he saw one of his students carrying around the Richard Wright book. When he asked the student about it, the student said he decided to read it after seeing the performance.  The teacher noted that he didn’t read that book until college and said, “This is what Young Audiences does for our students.”

On November 17, Young Audiences of Maryland and Dr. Kevin Maxwell, CEO of Prince George’s County Public Schools (PGCPS), announced the launch of a new arts integration partnership at a press conference held at Oxon Hill Middle School.

This new initiative will benefit more than 15,000 Prince George’s County Public School students in the 2015-2016 school year and dramatically increase student student access to the arts.

Dozens of teachers, principals, and PTA members were in attendance, along with school board members and PGCPS district office personnel. The event attracted the attention of local media outlets, including WUSA, a CBS news affiliate station in Washington, D.C., who ran a segment on the new partnership during their morning news coverage on November 17.

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In the true spirit of Young Audiences, this was not your typical “black-tie” press conference. The room was filled with music, dance, laughter, and inspiring stories. Student performances from Oxon Hill Middle School’s Performing Arts Academy opened the event, showcasing the talents of the school’s students through music and dance performances. Young Audiences’ teaching artist Ssuuna engaged the audience in an interactive, call-and-response performance of music from his native Uganda with authentic African instruments.

Young Audiences and Prince George's County Public Schools Forge New Arts Integration Partnership

With media cameras rolling, Dr. Maxwell spoke passionately about the importance of partnering with Young Audiences to bring high-quality arts programs to more PGCPS students. Integrating the arts into classrooms is not only critical to increasing student achievement and engagement; it is an essential component of every student’s education and maximizes the talents of all students.  Dr. Maxwell’s belief in the importance of the arts-in-education—and the exceptional teaching artists and arts-in-education programs that Young Audiences provides—will ensure that all students have the opportunity to experience this critical part of their education.

Stacie Evans, Young Audiences’ Executive Director, echoed Dr. Maxwell’s remarks, saying:

We believe that artists are catalysts in our schools. Through their art form they develop new approaches to teaching the curriculum. They inspire children. They help reach the most reluctant and struggling learners. From the beginning, Dr. Maxwell made it clear that the arts are a priority and he welcomed community partners to be part of the solution to ensure that our kids receive a complete education.  As a result, 15,000 more students are benefiting from Young Audiences programs this school year alone.

Additional speakers included Mr. Wendell Coleman, Oxon Hill Middle School Principal; John Ceschini, Arts Integration Officer for PGCPS; and Tracey Cooper, Oxon Hill Middle School science teacher.

Young Audiences and Prince George's County Public Schools Forge New Arts Integration Partnership

Young Audiences’ teaching artist Kevin Martin closed out the event with a steel drum ensemble of Oxon Hill Middle School students.  These students—who jumped on stage to perform just hours after learning to play the steel drums—soon became the teachers. The steel drum performance culminated with Kevin inviting audience members, including Dr. Maxwell, to join a student at their drum and follow the student’s lead in learning the song.

A teacher from Oxon Hill Middle School personally thanked Young Audiences during a post-event gathering for bringing the Literature to Life program to Prince George’s schools. After a performance of “Black Boy,” a verbatim adaptation and stage performance of the classic American literary work by Richard Wright, he said he saw one of his students carrying around the Richard Wright book. When he asked the student about it, the student said he decided to read it after seeing the performance.  The teacher noted that he didn’t read that book until college and said, “This is what Young Audiences does for our students.

Young Audiences and Prince George's County Public Schools Forge New Arts Integration Partnership

From theatrical productions that bring American literary masterpieces to life, to artist residencies for kindergarten students that inspire environmental citizenship, this new partnership with Prince George’s County Schools significantly increases access to arts learning for thousands of PGCPS students and leverages the talent of 20 teaching artists, the resources of six private and public funders, and advances the goals of PGCPS and YA to transform the lives and education of all students through the arts.

Research shows a direct connection between participation in the arts and student achievement. Research also shows having the arts in schools contributes to positive school culture and builds the creative and critical thinking skills that our workforce needs. Despite these benefits, student access to the arts as part of their education has declined. Young Audiences is honored to partner with Dr. Kevin Maxwell, named a Champion of Change by President Obama for his dedication to the arts, because he is committed to ensuring that PGPCS students are not denied the arts as part of a complete education.

Powering Arts Integration with Innovative Programming
Young Audiences’ programming for PGCPS will combine arts learning with traditional subjects such as science, math, and reading, expand in-school opportunities for professional teaching artists, and include further arts integration advancement through strengthening teacher preparation and professional development. Program areas to include:

GROWING UP GREEN
A Kindergarten-level environmental literacy program that supports a thematic approach and addresses the Maryland Environmental Literacy Curriculum Standards. Curriculum will be developed collaboratively among partner organizations and, following a successful pilot of the program, will later be infused into the kindergarten science and social studies core content areas. Financial support provided by BGE, Chesapeake Bay Trust and Maryland State Arts Council Artist in Residence Program.

LITERATURE TO LIFE
Through our unique combination of interactive theater, literature, and education, Literature to Life brings American literary masterpieces to life —giving voice to words and inspiring young people to find their own voice. Financial support provided by Laura Handman and Harold Ickes, Lisa and Porter Dawson, and other generous supporters.

PROFESSIONAL DEVELOPMENT
A series of professional development workshops designed for schools in their first year of joining the “Arts Integration” initiative. Educators will define and discuss the benefits of arts integrated teaching. After experiencing a sample drama and language arts lesson, teachers will brainstorm and apply creative challenges in their specific curriculum area. Program facilitated by Teaching Artist Institute.

Young Audiences and Prince George's County Public Schools Forge New Arts Integration Partnership