Our staff at Young Audiences do not just come to work. We come to support a mission: to transform the lives and education of our youth through the arts by connecting educators, professional artists, and communities. And we come with our hearts and minds and bodies ready to go above and beyond to realize this mission.
Micaela wrote, “When I started at Young Audiences six years ago, I thought we needed the arts to help students be more engaged in school and make learning more accessible. I had just been a teacher, and I saw changes in my students when they worked in the arts—new leaders emerged when we did a class talent show, and huge smiles appeared on kids’ faces when they got “their own” recorders to take home from music class.
We need young people who not only have the skills needed to build a better world, but can imagine what that might look like. Artists in schools seems like one of our best shots at giving kids the space and community to become the wild, imaginative thinkers and doers that we all need.
These things are still true—the arts are awesome at engaging kids in school, providing an opportunity for students to do hands on work that is meaningful, visible, and matters. And, they spark joy in kids!
Today, though, I think there is more that I didn’t realize a few years ago. I think we need imagination in volume and degrees beyond what I understand. We need young people who not only have the skills needed to build a better world, but can imagine what that might look like. Artists in schools seems like one of our best shots at giving kids the space and community to become the wild, imaginative thinkers and doers that we all need.”
Our artists know how to use their art form to draw kids into the work, to get students to challenge and surprise themselves and proudly show off their achievements. They see how arts integration engages and motivates even the most reluctant students.
Spoken Word Artist Femi the Drifish told us, ”I was working with 7th graders at Commodore John Rodgers Elementary/Middle doing an arts integration math program using rhythm, rhyme, and poetry. Going through what is common in a classroom, I challenged the students to use their algebra vocabulary to describe the city of Baltimore using the terms in creative ways—metaphorically, but in correct context.
There was one student, clearly the “too cool for school” type, who just wasn’t participating in any activity that led up to the final writing exercise. Once the scaffolding was completed and students were set to complete their assigned writing prompt, I witnessed that one kid scribbling on paper in the corner by his lonesome, away from tables where students where gathered.
Upon completion, students shared their work trying to impress each other with the cleverness of their vocabulary usage in the Baltimore City descriptive poems, when he asked if he could share his poem.
I was surprised—just like his teacher and his class peers—and quickly encouraged him to step up to the front of the class to present before he decided to retreat into the disinterested facade he used during all the warmups. As he delivered the poem I realized that he didn’t stick to the theme given, but instead described his love for the game of football using the math terms.
The class roared on cheers upon his completion and the teacher grabbed the poem from him to share with other teachers who wandered into the class to congratulate him.”
Alice’s year at Summer Arts & Learning Academy (SALA) meant so much to her. The program helped bring clarity to math concepts my daughter was struggling with through an art form she loves, she felt confident, and she felt like she was part of something larger than herself. It made her feel proud of herself and proud of her community.
She wrote, “A lot of people think of Baltimore as how the news shows and talks about it. The news tends to only show the little bad things about us. I wish people could just see what SALA is like. It’s a perfect representation of Baltimore’s youth! It shows that we are creative, compassionate, caring, and loyal.” Now Rosario, my youngest daughter, looks forward to SALA every summer. And even though Alice is too old to attend, she volunteers in the program. “I can help and watch other children get the same great experience that I did.”
As I’ve seen with my own children, arts integration is not just fun in the moment. These are experiences that shape students’ mindsets, their education, their goals—experiences that students carry with them and inform their decisions for years to come. Please give today.
I have been a volunteer for Young Audiences for seven years now, ever since discovering them when Colette was in 10th grade, and was asked to speak at their Impact Breakfast. I learned then how much YA had already impacted her, as Colette was part of the PVA (Performing and Visual Arts) magnet at school. Teaching artists from YA were very active, and still are, with the PVA in Anne Arundel County.
But what really impressed me was YA’s involvement at all grade levels and in so many schools across Maryland. By integrating the arts into core curriculum, kids learn in a way that helps them retain the information. Whether it’s rapping their multiplication tables, dancing to showcase literature themes or creating mosaics to depict basic biology, the kids are learning because they’re HAVING FUN!
As for Colette, she’s finishing her senior year at East Carolina University, as an electrical engineer. And she still benefits from the arts-integrated education she has received. For example, although I may not comprehend the mathematical formulas in the papers I proofread for her, her PowerPoint presentations are so visually pleasing that I don’t mind reading what I don’t understand! Seriously, I hope you’ll consider donating today so that other kids can have the great experiences and training that she received as part of YA’s arts-integrated education techniques.
Young Audiences has played a pivotal role in Alex’s life, both past and present. As a child, he discovered his love of writing during a YA artist residency in his public elementary school. Nearly two decades later he works as a staff member with Young Audiences of Maryland.
He wrote “As an adult who was diagnosed with a learning disorder later in life, I can look back and say that my experience with YA was a turning point in my journey to know and love myself. When I had the chance to demonstrate my understanding by creating, rather than just consuming information, I found myself not only participating in class but thriving! I want to stress how much even a single experience can expand a young person’s horizons of possibility, both for their education and their future.”
Now, Alex coordinates YA’s programming with schools in Prince George’s, St. Mary’s and Calvert County and writes fiction and poetry as well. “It brings me great joy to step into a school and know that a student will find a lifelong sense of meaning and passion because of our work.”
Alex is an example of the power of arts integration in the life of our students, especially those who struggle to learn through traditional means. He is proud to “pay it forward” as a staff member and encourages you to support our work across the state of Maryland. Please give today.
A whole-child approach to learning puts significant focus on the social and emotional needs of students. And as we’ve seen in our Summer Arts & Learning Academy (SALA), the arts and arts integration pair naturally with social and emotional learning (SEL). In SALA, our teaching artists and their academic partners plan their lessons through a student-centered lens, giving children the opportunity to learn in a way that works best for them—and supplying them with the emotional tools they need to be successful and connected to the learning—and to each other. In fact, a report from Education Dive notes that in school, “artistic endeavors—whether performing, creating, or responding to others’ work—likely involve even more social-emotional skills and opportunities for students to practice them.”
Through drama, students in SALA feel the thrill of embodying their favorite storybook characters. They learn to express ideas through dance and emotions through music. They feel the pride of understanding mathematical concepts when, through visual arts, abstract ideas can be seen, felt, created, and replicated. What if we applied the artist expertise and program model that makes SALA so successful to the actual school year?
Knowing that MSDE-approved educational models like SALA’s can also be used to address many issues impacting education, our SALA team tailored its model to meet the needs of students who need extra schoolyear support and introduced Arts & Learning Days at three different sites in Baltimore City: Harlem Park Elementary/Middle, Collington Square Elementary/Middle, and Leith Walk Elementary/Middle. These new Arts & Learning Days give teachers and students the opportunity to teach and learn creatively, through self-expression, and with a focus on social and emotional wellbeing.
Arts & Learning Days:
- Support students in afterschool time
- Expose students to different art forms
- Provide teacher professional development in arts integration
- Increase academic performance
Each academic quarter has four Arts & Learning Days. On these days, five teaching artists spend the day at the school co-planning and co-teaching arts-integrated lessons with two different teachers each. Arts & Learning Days are more than artist residencies—they are real-time professional development for school-wide transformation. Teachers discover new ways to create engaging lessons, to blend academic and social and emotional learning, and to ignite creativity and self-expression—and they get to put it into practice right away!
Afterward, teachers and artists reflect and revise lessons. Classroom teachers also meet with Education Director Kristina Berdan multiple times, who offers the educators feedback and strategies to improve their practice.
The arts even extend into afterschool time when an artist or ensemble brings their program to an existing afterschool program for additional enrichment. This year alone, students enrolled in afterschool programs have already been able to work with Wombwork Productions, Inc., Vonnya Pettigrew of Root Branch Film, and Guardian Dance Company!
These opportunities for students and educators through Arts & Learning Days wouldn’t be possible without the support of the principals, the afterschool providers, and the teachers. We are looking forward to many more Arts & Learning Days to come and can’t wait to share them with you.
To access the Collington Square Arts & Learning Day 1 video transcript, click here.
smARTbeats returns to WTMD on Saturday, October 19 during the weekly children’s program Young At Heart! On this month’s segment, host Lisa Mathews talks with Scott Paynter, or Scotty P as he’s known around town, one of our talented teaching artists from Summer Arts & Learning Academy (SALA). He embodies fun and warmth in his classroom and on stage as a solo performer and as a lead vocalist with the world-renowned reggae band Jah Works.
“Jah Works is a true grassroots success story that emerged from Baltimore’s reggae scene over 20 years ago. This is music made by and for lovers of real, authentic reggae music. Consistently performing hundreds of shows a year worldwide, they have forged their sound in clubs, festivals and on the sun drenched beaches of Negril. Their sound is firmly planted in the roots of Jamaican music and culture, encompassing rock steady, reggae, and elements of dancehall and dub. What Jah Works does best is introduce the novice music listener to the fullness of reggae music and culture.” —from jahworks.com
Scott’s classroom in SALA is a creative and joyful place where music and children go hand in hand. Perhaps it’s because he got his own start in music as a young child with a guitar he built from plywood and yarn. How awesome that every summer he helps more young musicians discover their passion for music and songwriting!
Scott doesn’t just share his art form with students, he teaches them to demonstrate what they’ve learned through music. By writing songs about the books and stories they’ve read, children are able to dive deep into the different characters and their personalities—bringing them to life. Take this video, for instance, of Scott’s students performing a song they wrote with the artist about a book they read together called City Green by DyAnne DiSalvo-Ryan.
It should come as no surprise that kids love coming to his class to sing and learn! Mr. P makes learning fun—and even though his time with them is relatively short, his patience and commitment to the students can be seen in the strengthening of their academic abilities, their understanding, and the genuine smiles on their faces.
Listen online now to the smARTbeats interview with Scott Paynter at WTMD.org
Young At Heart airs weekly on 89.7 WTMD from 7 to 8 am on Saturdays, featuring music that appeals to parents and children alike. Previous shows have featured music by Wilco, David Bowie, Andrew & Polly, Weezer, and others.
In January 2020, Bay Brook Elementary Middle School will move into a 21st Century school building! Monique B. Reese, Principal of Bay Brook told us that along with the move, her school is adopting an arts integration model. During her first three years at the school, she focused on reducing suspensions and building a positive school climate. Now, Mrs. Reese’s goal is to use the arts to assist with increasing student engagement and higher achievement. That’s what brings her to the Young Audiences Principal Fellowship Program.
Mrs. Reese began her career as an elementary school teacher in various urban school districts. During her time as a teacher, she found a passion for leading others in teaching and learning. This passion for leadership led her to serve for eight years as an Assistant Principal in the District of Columbia Public Schools, and then as a principal at Bay Brook Elementary Middle School. During her first three years at Bay Brook, she focused on reducing suspensions and building a positive school climate. “I am excited about being a part of the Young Audiences Principal Fellowship program because it directly connects to my new school model,” she said. “I can learn new ideas about arts integration that I can directly implement in my school as we begin our new vision.”
“We have seen first-hand the excitement the arts bring to our students.”
Over the course of the program, she’ll receive coaching from experienced educators who have already used arts integration as leverage for school change. “Our students learn in different ways and we need a path that reaches all learners,” Mrs. Reese said. “When given the choice between STEM, project-based learning, and arts integration for their new school model, the staff and community were confident that a larger focus on the arts would bring positive change.”
The school currently has a partnership with Arts Every Day which helps fund artist residencies for classrooms. Already, the school holds monthly arts integration days in which teachers engage students in an art project to teach literacy, math, or science. “We have seen first-hand the excitement the arts bring to our students,” she said. “The staff believe that the arts will give students the opportunity to be more engaged in the content, thus reducing class disruptions and increasing achievement.”
Mrs. Monique Reese, Principal of Bay Brook Elementary Middle School, is one of ten Baltimore City Public Schools principals selected to participate in the Principal Fellowship Program. The year-long fellowship provides principals with the guidance and framework to develop an arts-based action plan in their schools and we are thrilled to have her in the inaugural cohort!
Written by Alan Hoff,
Young Audiences Board of Directors, Vice Chairman
The arts are not just nice, they’re critical to the development and well-being of our communities. I am both excited and proud that Baltimore County has continued to recognize the importance of funding for the Arts, particularly Arts in Education, in the current budget.
In addition to being a proud citizen of Baltimore County, I am also the Vice Chair of the board of Young Audiences/Arts for Learning, an arts-in-education organization that serves more than 12,000 Baltimore County students each year. I also serve as the president of the board of WTMD, Towson University’s radio station.
I’ve seen the power of the arts and what the arts can do for our community here in Baltimore County. The fact that the County–even with budget challenges–has continued to support the arts is impressive and commendable.
From a pure cost-benefit analysis, the arts provide a strong return on investment to the County. For example, Young Audiences is grateful to have received $40,000 in funding from the Citizens of Baltimore County through the Baltimore County Commission on Arts & Sciences last year. At the same time, with that investment, we served more than 12,000 County students and provided nearly $770,000 in payments to teachers and to teaching artists who live in Baltimore County.
Beyond a cost-benefit analysis is what I call the tangible intangible: The power of the arts that I see every day. I see it in kids’ eyes, I see it when they look up to a teacher who they admire, I see it in the difference it makes in helping them learn, and I see the impact the arts have in programs like WTMD’s Saturday Morning Tunes where we’ve literally welcomed thousands of kids and their parents.
At Young Audiences, I have seen students learn fractions by beatboxing, math from drumming, and grammar from a poet or a spoken word artist. Not only do the arts provide kids with opportunities to express themselves and build confidence, but they also support all those educational priorities we talk about–like math and reading skills.
I’m probably the biggest anomaly that there is to talk about the power of the arts. I’m a lawyer–and I’m a business lawyer at that. But I am making this case because I see every day the power of the arts and I see that it makes a difference in people’s lives.
Alan Hoff joined Young Audiences, Arts for Learning Maryland’s Board of Directors in July of 2014. In addition to volunteering on both the Executive and Bridging the Inspiration Gap Committees, he currently serves as Vice Chairman of the Board. Alan has volunteered countless hours of his time and is a passionate advocate for ensuring the artistic, emotional, and intellectual growth of the children in our community. We are thankful every day for his advocacy, for his voice, for his vision, and for his generous spirit.
What does learning look like in June? It’s hot, kids are getting restless, and classes don’t typically get any easier academically. Quite the opposite, in fact, for Algebra 1 students and teachers at North County High School in Anne Arundel County Public Schools (AACPS) who, in their final weeks of 9th grade, worked on teaching and understanding one of the class’ most difficult concepts: Graphing Piecewise Functions.
In the past, through the Arts Empowered Minds Initiative, the Math department at North County High has enlisted a slam poet, a storyteller, and a steel drum musician to help teach Algebra 1 concepts. This year, they invited YA roster artist Christina Delgado to guide the 9th-grade students and teachers through the art of photography to produce images that symbolize points on a Piecewise Graph.
Piecewise functions have multiple equations that define different sections of a graph. One section may look like a straight line, the adjoining section may look like a parabola. Rather than having one equation that defines the graph, there are multiple equations that define the function for specific sections.
To bring this concept to life, Christina and the mathematics team took the complex math idea and made it personal. Students were asked to tell the story of their freshman year of high school and translate that story to a graph with the X-axis representing time and the Y-axis, happiness. As with life itself, happiness over time does not always look like a straight line or a steady curve—sometimes there are sharp turns and big ups and downs in short periods of time. Students started with the story they wanted to tell—the story of their school year, then worked backward to graph these stories over time and layered them over a photograph of their creation and choosing.
The students took the art form very seriously and paid close attention to Christina’s advice and direction—and because the teachers participated along beside them, they were able to experience the pleasure and resonance of learning through photography. They were able to relay this experience while leading a professional development course for the rest of the math department, giving them a small taste of how integrating the arts not only helps students grasp difficult concepts in math, but helps build community and understanding in the classroom.
“It’s a great way to learn how your students learn,” Christina told the teachers. Mr. Kellermann and Ms. Russell recounted how much their students enjoyed working on the projects—projects that were meaningful to them. “I learned a lot about the kids I didn’t know—it was cool sitting and talking with them and talking about their stories.” In preplanning sessions, students wrote stories about their lives, highlighting events that had an impact on them. Teachers helped students identify symbols that could represent critical points in these stories.
The Algebra 1 teachers walked the rest of the math department faculty through the same initial exercises their students completed on the first day of the residency. Just like their students, the teachers learned to operate and care for their tools and to use them respectfully. After reviewing some of the children’s final projects, talking about the choices their students made, and what elements were included to make their photographs visually interesting, the teachers set off on a scavenger hunt of sorts. They were to collect three images on their digital cameras: One of a colorful circle, one of a triangle, and the last one, showing pattern.
When their students were first handed cameras, they immediately wanted to take pictures of themselves and their friends. They quickly shifted their focus to the environment around them, however. They became observant and attentive. Now faculty members were able to see that being behind the lens requires them to look around and take note of what they are seeing—to be purposeful of what they are capturing in the frame. “I was trying to take a picture of this flower,” one teacher commented, “but a person blocked the way. It was like we partnered on it. It was kind of cool.”
That kind of partnership is something Christina fosters in her classroom residencies. “Actually, one of our rules is to cooperate,” the artist told educators. You have to share equipment, so students have to remind each other of how to handle cameras safely and carefully, but they will also share ideas and photo-taking techniques like perspective.
The faculty returned to the classroom to share their images. Their excitement and level of anticipation while waiting for the photos to upload matched their young students. One teacher, upon seeing a colleague’s photo of a circle, exclaimed, “It looks like Saturn!” As they clicked through the images together, Ms. Russell reminded them that in the classroom, reviewing the work does not signal the end of the lesson. This, too, was an opportunity to engage. “Alright guys, this is a great picture. Now how can we make it better?”
Day One: Camera Basics and Color, Line, and Pattern
The classes learned to operate and care for their tools and to use them respectfully. They then learned to identify visual art elements through the lens of a digital camera. After reviewing examples of Christina’s own work, talking about the choices an artist makes in capturing images, and what makes a photograph visually interesting, students and teachers set off on a scavenger hunt of sorts. They were to collect three images: One of a colorful circle, one of a triangle, and the last one, showing pattern.
Days Two and Three: Composition, Symbolism, and a Final Image
Christina arrived with bags overflowing with curious objects, colorful mementos, magazines, and flags. Everyone was excited to sort through the treasures to find the perfect piece to symbolize a moment in their story. Their task on this day was to put that object into a specific environment and use their cameras to capture it from a point of view that would support its meaning. “People were really mindful about how they were holding their cameras and the colors they used,” said the artist about students’ final photos.
Day Four: Visual Stories—Graphed
Students and teachers plotted timelines using a piecewise graph, then transferred the graph directly onto their final images. From yet another bag of goodies, the class added multimedia collage elements—stickers, multicolored transparency film, pipe cleaners, yarn—the works! “I encouraged the students to try and be creative about how they wanted to draw their line or how they wanted to tell their story a little bit deeper—maybe add some words and some embellishments to make their pictures stand out a little bit more.” They were able to create some really interesting and compelling multimedia pieces. “You’re seeing the graph, but you’re also seeing the visual representation of the graph or the story.”
Looking to the Future
Is it any wonder that positive energy and the excitement of big ideas in teaching will ripple through a school community and spark even more minds and imaginations? The math teachers at North County High School (NCHS) brainstormed many additional concepts they’d like to teach through digital photography. And the art department was so excited to see the Algebra 1 students’ finished pieces that they plan to replicate this exact lesson for their art students.
As even further evidence of their commitment to arts integration, NCHS just received a $40,000 STEM + Arts Integration grant from the National Office of Young Audiences Arts for Learning to support a year-long arts integration program with their 9th-grade Algebra students and YAMD teaching artists. Christina Delgado will be traveling to Kansas City, MO this August with Lacey Sheppard, AACPS Arts Integration Teacher Specialist, and Hana Morford, YAMD Education Director of Statewide Initiatives, to take part in a Professional Learning Institute to develop the program’s curriculum. We cannot wait to see the lesson plans that will emerge.
Learn more about the Arts Empowered Minds Initiative, its collective impact partners, and the community it serves by visiting artsempoweredminds.org.
When Quynn Johnson steps into the Pre-K and Kindergarten classrooms at Margaret Brent Elementary School in Baltimore City, she is met with hugs and big, bright smiles. The students love that they’ve been learning to tap with the artist and they’ve been waiting patiently for her to return. “What do I do?” the artist asks. “You make music with your feet and you keep a steady beat!” the students respond.
Quynn is a multi-award-winning performing artist, choreographer, author, and the co-director of SOLE Defined, a percussive dance company. Though she has performed tap dance for national and international audiences, on this morning, she is captivating our state’s youngest learners—not on a stage, but in a classroom—through rhythm, imagination, and dance. Already a professional teaching artist on the Young Audiences roster, Quynn is now training to also become a Maryland Wolf Trap Artist.
As the Maryland regional affiliate of Wolf Trap, Young Audiences is proud to be expanding access to the arts for Maryland’s youngest students during the critical early learning years.
High-quality early childhood education is absolutely essential to giving children the best possible start in school and in life. Decades of practice and research prove that integrating the arts into classroom experiences contributes to greater academic achievement and social/emotional development for our youngest students. The creative collaboration between teachers and artists in the Wolf Trap residency builds foundations and fuels momentum in arts-integrated early learning classrooms.
The children sing along with the artist to the tune of Frère Jacques, “I am ready, You are, too, Eyes on the teacher, We’re going to learn.” Everyone knows the song and everyone is excited to sing it—first in English, then in Spanish.
Ojos en la profe
Vamos a aprender
Quynn made up the song while teaching in the Summer Arts & Learning Academy last summer, but now sings it with students in lower elementary grades at every school she visits. Mrs. Jager, the Kindergarten teacher, likes it, too. She uses “I am ready” as a transition song all the time—and her students will remind her if she forgets!
The artist is not only here to teach the young students how to tap, she is here to build the teachers’ skills and knowledge and demonstrate how to integrate the art form into their lessons throughout the year. This embedded professional development is something that distinguishes the Wolf Trap Early Learning Residency from other artist residencies.
As Quynn leads the students in an exercise stomping out beats, another skill is being fortified. They are identifying patterns and practicing word sounds like “Apple, apple, ah, ah, ah,” and “Bat, bat, buh, buh, buh.” The classroom teachers and the artist work together to tailor the residency to each particular classroom—deciding how refined the dance movements should be for each age group and which literacy skills to focus on.
“The process is pretty new and different to me but I like it,” said Quynn. The artist pays particular attention to teach the elements of her art form that educators will feel comfortable utilizing in the future—and not just off the cuff, but with some artistic integrity. “I think the embedded PD portion is a great way to keep the teachers involved and shows them how it doesn’t have to be its own lesson but can be incorporated within what they’re already doing. I never want them to feel like it’s unreachable.”
By the end of Quynn’s residency in the Pre-K and Kindergarten classrooms, the students know how to keep a steady beat on their feet, and they remember a beat pattern and two basic tap steps. And the teachers can connect the art form to literacy—leading students to sound out words and sounds with their feet. “They both felt great and comfortable with everything we did in class and I could hear them using it after our time was over.” They were ready.
Eighty-five percent of brain development occurs during the first five years of a child’s life. Participation in the arts encourages positive growth in a child’s emotional, physical, intellectual, creative, and social development. As the Maryland affiliate of the Wolf Trap Institute for Early Learning Through the Arts, Young Audiences expands access to the arts for Maryland’s youngest students during the critical early learning years. Bring a Maryland Wolf Trap 16-Session Residency into your school.
An inaugural Arts Integration Conference held at the Chesapeake Arts Center (CAC) showcased the strength and excellence of the Arts Empowered Minds Initiative (AEMI)‘s collective knowledge and resources. Over the course of the day, Anne Arundel County Public Schools (AACPS) educators and CAC artists participated together in classes, learning to integrate three different art forms into other academic areas.
“This was actually the first time we brought these two groups together and—WOW—what amazing things happened!”
“CAC is a fantastic arts hub next door to all 12 AEMI schools, but there isn’t always time for teachers to experience all it has to offer,” said Hana Morford, YA Education Director, Statewide Initiatives. “Our goal for the day was to create synergy between the amazing CAC artists and AACPS teachers—giving them space to work together and learn from one another through the arts. This was actually the first time we brought these two groups together and—WOW—what amazing things happened!”
The teachers and artists rotated in groups throughout the workshops, spending equal time weaving and stitching with Katherine Dilworth, a Young Audiences fiber artist; learning the elements of dance with Lacey Sheppard, Arts Integration Teacher Specialist; and forming clay vessels with CAC artist Cami Ascher. Then, in the afternoon, the teachers worked in their school teams to write an arts-integrated lesson plan that connected to one of the three art forms. During this time, CAC artists were able to get a taste of arts integration and develop ideas on how they might integrate their art form with some of the teachers’ content areas.
As they engaged in the various art forms, ah-has and ideas filled the classrooms. Katherine Dilworth guided participants first in a weaving project using sturdy paper plates and colorful yarn, and later, in stitching. She shared finished samples with the teachers that focused on math and on literacy—incorporating felt and even beads into the designs. Her excitement was contagious. Working with burlap, needle, and thread, one history teacher imagined the possibility of students stitching constitutional amendments.
Teachers got their hands messy learning clay building techniques with Cami Ascher in the CAC’s ceramics studio. They rolled long snakes and coiled them into different shapes. They transformed balls of clay into pots and funny characters with big eyeballs. And they learned how to “scratch and attach” to create a strong bond between formed pieces of the material. Cami had lots of advice for the group: which clays to use if they have/don’t have access to a kiln, how to minimize mess, and how to preserve a project if more than a class period is needed to complete it.
Lacey Sheppard divided participants into two groups for her workshop, each choreographing and performing an original dance for the other. They thought carefully about BEST: Body, Energy, Space, and Time—the elements of dance. Some stepped out of their comfort zones while others felt right at home in the limelight, but they all enjoyed the exercise in movement and the connections they could make through the art form to other classroom lessons.
One participant gained so much from the professional development workshops, she sent a note of appreciation the next day. “I just wanted to share that yesterday’s PD was by far the best PD I have ever been to,” she said. “I loved how you had us in groups that stayed together through the day. I am so excited to bring back new ideas to my school. Thank you so so much!”
Hana added, “It was so beautiful to see the AEMI community begin to take shape between teachers and artists!” And it is a community, we know, that will create so many opportunities in Northern Anne Arundel County. That is the power of the Arts Empowered Minds Initiative.
Learn more about the Arts Empowered Minds Initiative, its collective impact partners and the community it serves by visiting artsempoweredminds.org.