Art Inspires Math Inspires Art: The Ripple Effect of Arts Integration

What does learning look like in June? It’s hot, kids are getting restless, and classes don’t typically get any easier academically. Quite the opposite, in fact, for Algebra 1 students and teachers at North County High School in Anne Arundel County Public Schools (AACPS) who, in their final weeks of 9th grade, worked on teaching and understanding one of the class’ most difficult concepts: Graphing Piecewise Functions.

In the past, through the Arts Empowered Minds Initiative, the Math department at North County High has enlisted a slam poet, a storyteller, and a steel drum musician to help teach Algebra 1 concepts. This year, they invited YA roster artist Christina Delgado to guide the 9th-grade students and teachers through the art of photography to produce images that symbolize points on a Piecewise Graph.

Piecewise functions have multiple equations that define different sections of a graph. One section may look like a straight line, the adjoining section may look like a parabola. Rather than having one equation that defines the graph, there are multiple equations that define the function for specific sections.

To bring this concept to life, Christina and the mathematics team took the complex math idea and made it personal. Students were asked to tell the story of their freshman year of high school and translate that story to a graph with the X-axis representing time and the Y-axis, happiness. As with life itself, happiness over time does not always look like a straight line or a steady curve—sometimes there are sharp turns and big ups and downs in short periods of time. Students started with the story they wanted to tellthe story of their school year, then worked backward to graph these stories over time and layered them over a photograph of their creation and choosing.

The students took the art form very seriously and paid close attention to Christina’s advice and direction—and because the teachers participated along beside them, they were able to experience the pleasure and resonance of learning through photography. They were able to relay this experience while leading a professional development course for the rest of the math department, giving them a small taste of how integrating the arts not only helps students grasp difficult concepts in math, but helps build community and understanding in the classroom.

“It’s a great way to learn how your students learn,” Christina told the teachers. Mr. Kellermann and Ms. Russell recounted how much their students enjoyed working on the projects—projects that were meaningful to them. “I learned a lot about the kids I didn’t know—it was cool sitting and talking with them and talking about their stories.” In preplanning sessions, students wrote stories about their lives, highlighting events that had an impact on them. Teachers helped students identify symbols that could represent critical points in these stories.

The Algebra 1 teachers walked the rest of the math department faculty through the same initial exercises their students completed on the first day of the residency. Just like their students, the teachers learned to operate and care for their tools and to use them respectfully. After reviewing some of the children’s final projects, talking about the choices their students made, and what elements were included to make their photographs visually interesting, the teachers set off on a scavenger hunt of sorts. They were to collect three images on their digital cameras: One of a colorful circle, one of a triangle, and the last one, showing pattern.

One North County High School student chose to focus her story on her parents’ separation—using the school building as the background for a marriage certificate torn in two and enlisting a friend to help stage the photo. In addition to the graph, students were encouraged to be creative with adding line, color, and embellishment to their photos to help tell the story.

When their students were first handed cameras, they immediately wanted to take pictures of themselves and their friends. They quickly shifted their focus to the environment around them, however. They became observant and attentive. Now faculty members were able to see that being behind the lens requires them to look around and take note of what they are seeingto be purposeful of what they are capturing in the frame. “I was trying to take a picture of this flower,” one teacher commented, “but a person blocked the way. It was like we partnered on it. It was kind of cool.”

That kind of partnership is something Christina fosters in her classroom residencies. “Actually, one of our rules is to cooperate,” the artist told educators. You have to share equipment, so students have to remind each other of how to handle cameras safely and carefully, but they will also share ideas and photo-taking techniques like perspective.

The faculty returned to the classroom to share their images. Their excitement and level of anticipation while waiting for the photos to upload matched their young students. One teacher, upon seeing a colleague’s photo of a circle, exclaimed, “It looks like Saturn!” As they clicked through the images together, Ms. Russell reminded them that in the classroom, reviewing the work does not signal the end of the lesson. This, too, was an opportunity to engage. “Alright guys, this is a great picture. Now how can we make it better?”

Day One: Camera Basics and Color, Line, and Pattern
The classes learned to operate and care for their tools and to use them respectfully. They then learned to identify visual art elements through the lens of a digital camera. After reviewing examples of Christina’s own work, talking about the choices an artist makes in capturing images, and what makes a photograph visually interesting, students and teachers set off on a scavenger hunt of sorts. They were to collect three images: One of a colorful circle, one of a triangle, and the last one, showing pattern.

Days Two and Three: Composition, Symbolism, and a Final Image
Christina arrived with bags overflowing with curious objects, colorful mementos, magazines, and flags. Everyone was excited to sort through the treasures to find the perfect piece to symbolize a moment in their story. Their task on this day was to put that object into a specific environment and use their cameras to capture it from a point of view that would support its meaning. “People were really mindful about how they were holding their cameras and the colors they used,” said the artist about students’ final photos. 

Day Four: Visual Stories—Graphed
Students and teachers plotted timelines using a piecewise graph, then transferred the graph directly onto their final images. From yet another bag of goodies, the class added multimedia collage elements—stickers, multicolored transparency film, pipe cleaners, yarn—the works! “I encouraged the students to try and be creative about how they wanted to draw their line or how they wanted to tell their story a little bit deeper—maybe add some words and some embellishments to make their pictures stand out a little bit more.” They were able to create some really interesting and compelling multimedia pieces. “You’re seeing the graph, but you’re also seeing the visual representation of the graph or the story.”

North County High School Algebra 1 teacher Mrs. Stephanos learned right along with her students in the photography residency with Young Audiences roster artist Christina Delgado.

Looking to the Future
Is it any wonder that positive energy and the excitement of big ideas in teaching will ripple through a school community and spark even more minds and imaginations? The math teachers at North County High School (NCHS) brainstormed many additional concepts they’d like to teach through digital photography. And the art department was so excited to see the Algebra 1 students’ finished pieces that they plan to replicate this exact lesson for their art students.

As even further evidence of their commitment to arts integration, NCHS just received a $40,000 STEM + Arts Integration grant from the National Office of Young Audiences Arts for Learning to support a year-long arts integration program with their 9th-grade Algebra students and YAMD teaching artists. Christina Delgado will be traveling to Kansas City, MO this August with Lacey Sheppard, AACPS Arts Integration Teacher Specialist, and Hana Morford, YAMD Education Director of Statewide Initiatives, to take part in a Professional Learning Institute to develop the program’s curriculum. We cannot wait to see the lesson plans that will emerge.

Learn more about the Arts Empowered Minds Initiative, its collective impact partners, and the community it serves by visiting artsempoweredminds.org.

Belonging

Written by Stacie Sanders Evans,
President and CEO of Young Audiences/Arts for Learning

Belonging. That’s the word that has been on my mind. Our founder, Nina Collier, understood belonging. She felt music belonged in schools, that artists belonged in a child’s education. In 1950 she inspired a movement of artists-in-schools. What started in Baltimore has now grown to 30 Young Audiences–the largest arts-in-education network in the US.

Today, Young Audiences artists like Femi the DriFish and Valerie Branch ignite a child’s desire to learn. Whatever our partner artists’ art form is–hip hop dance or improvisational theatre–they use it to draw kids into learning. We train our artists to integrate their art form with whatever is being taught in students’ literacy, math, social studies, and science classes.

We do that because when kids create something they get to make choices. They make meaningful connections. They express themselves. Choice and voice–that makes the learning matter.

When we, as a community, provide children with these kinds of opportunities, we are telling them, “You matter!” All of this, what we do, it nurtures the sense of belonging in our kids, artists, parents, and teachers. And it is belonging that I feel when I walk into one of our classrooms. Listen to how Tiffani, Dawn, and Valerie talk about our community in Together–we are their people–and we all belong.

Think back to when you were growing up. Who were YOUR people? What teacher or coach left their imprint. Who helped you become the person that you are today?  I bet that person made you feel visible. Known. That you belonged.

My moment was in ninth grade. I was struggling in many different ways and my drama teacher, Mrs. Howard, saw something in me. She knew how to draw that “something” out–just like the 200 artists (both YA roster artists and independent artists) we work with. In her class, I belonged. She cast me as Juliet in Romeo and Juliet. And that moment was like rocket fuel for me.

Belonging is a strong human need, particularly in our children. I see belonging as the net below the trapeze. When kids have that net of belonging, they are more likely to lean into learning–kids like Josh Ajala, who in Together, spoke about moving from the back of the class to the front–and his sister Tiffani Ajala–who was brave enough to apply for Baltimore Design School (and got the highest possible score on her fashion portfolio!) These are the courageous risks we want our kids to take so that they can grow.

But public education for the last 17 years, after the birth of No Child Left Behind, hasn’t been focused on this. It has been about raising standards and increasing school accountability–measured through standardized testing. What do kids who are part of this system think about this? In Brenna’s poem, she says students feel like they are just inputs and outputs in one simple equation.

The outcomes we are seeing are heartbreaking and not sustainable as a society. Eight out of ten Baltimore City Schools students do not meet “proficiency” in math or reading. Nearly half of our children across the state entering Kindergarten are already behind. Four out of ten Maryland teachers leave teaching within five years because this isn’t the equation they want to be a part of.

A different way is needed. Young Audiences is a different way. Our movement is to make sure all kids–and the people who teach them–are not treated like inputs and outputs but as the whole beautiful human beings that they are.

Today, thanks to our 450 school partners, our Sunburst Society members, and our game-changing evidence, our movement is growing. Outreach has doubled in the last five years. We impact the education of 191,000 children EVERY year–children in EVERY Maryland county.

We are on a mission to close the opportunity gaps in this educational system. We have four strategies:

  • Preventing summer learning loss by operating 20 summer programs across our city
  • Increasing school readiness through early childhood programs in four counties
  • Improving student engagement in learning by providing professional development to 500 teachers every year
  • Increasing equity in access to opportunity–more than 30,000 of our children are in under-resourced communities, so we provide more to them

We have made tremendous progress over the last five years but we can take this to a new level. Five years from today, I think we can change the educational trajectory of 50,000 more kids. Here is how we can get there:

  • Expand our evidence-based Summer Arts & Learning Academy in and beyond Baltimore City. This is the program that Tiffani, Alice, and Josh participated in that continues to have a ripple effect in their life. To expand to just one more school district, we have to find and train 20 more artists.
  • This Academy is only 25 days of a kid’s life–and in that short time, we see lots of benefits. Imagine if kids had that kind of arts-integrated learning during the school year and school day? We want to launch year-round professional development and support for teachers and principals to make that happen. If we were able to add just one more person to our staff that focused on professional development, we could support 100 more teachers and principals every year.
  • To have the greatest impact on a child’s potential, we need to invest early. (Did you know that 80% of the brain’s synaptic connections are made by age 3?) In 2024, we want to bring our Baby Artsplay program to 5,000 infants and toddlers across Maryland and–to their very first teacher–their parents. This will require our artists to be trained in early childhood development.

Think back to your person–your Mrs. Howard. Think back to that feeling of belonging. Imagine if you could create that opportunity for someone else. For another Josh. Another Brenna. Take that opportunity and multiply it by 50,000. Fifty thousand children sitting in the front of the class, trying out for Baltimore Design School, reaching for that trapeze handle.

That is the opportunity in front of us. For Brenna, that is the equation she wants us to come together and solve.

The Power of Community: Professional Development in the Arts

An inaugural Arts Integration Conference held at the Chesapeake Arts Center (CAC) showcased the strength and excellence of the Arts Empowered Minds Initiative (AEMI)‘s collective knowledge and resources. Over the course of the day, Anne Arundel County Public Schools (AACPS) educators and CAC artists participated together in classes, learning to integrate three different art forms into other academic areas.

“This was actually the first time we brought these two groups together and—WOW—what amazing things happened!”

“CAC is a fantastic arts hub next door to all 12 AEMI schools, but there isn’t always time for teachers to experience all it has to offer,” said Hana Morford, YA Education Director, Statewide Initiatives. “Our goal for the day was to create synergy between the amazing CAC artists and AACPS teachers—giving them space to work together and learn from one another through the arts. This was actually the first time we brought these two groups together and—WOW—what amazing things happened!”

The teachers and artists rotated in groups throughout the workshops, spending equal time weaving and stitching with Katherine Dilworth, a Young Audiences fiber artist; learning the elements of dance with Lacey Sheppard, Arts Integration Teacher Specialist; and forming clay vessels with CAC artist Cami Ascher. Then, in the afternoon, the teachers worked in their school teams to write an arts-integrated lesson plan that connected to one of the three art forms. During this time, CAC artists were able to get a taste of arts integration and develop ideas on how they might integrate their art form with some of the teachers’ content areas.

Teachers learned weaving and different embroidery stitches with Young Audiences artist and Teaching Artist Fellow Katherine Dilworth.

As they engaged in the various art forms, ah-has and ideas filled the classrooms. Katherine Dilworth guided participants first in a weaving project using sturdy paper plates and colorful yarn, and later, in stitching. She shared finished samples with the teachers that focused on math and on literacy—incorporating felt and even beads into the designs. Her excitement was contagious. Working with burlap, needle, and thread, one history teacher imagined the possibility of students stitching constitutional amendments.

Chesapeake Arts Center artist Cami Ascher instructed participants in building with clay.

Teachers got their hands messy learning clay building techniques with Cami Ascher in the CAC’s ceramics studio. They rolled long snakes and coiled them into different shapes. They transformed balls of clay into pots and funny characters with big eyeballs. And they learned how to “scratch and attach” to create a strong bond between formed pieces of the material. Cami had lots of advice for the group: which clays to use if they have/don’t have access to a kiln, how to minimize mess, and how to preserve a project if more than a class period is needed to complete it.

Lacey Sheppard, Arts Integration Teacher Specialist in Anne Arundel County Public Schools, taught the elements of dance.

Lacey Sheppard divided participants into two groups for her workshop, each choreographing and performing an original dance for the other. They thought carefully about BEST: Body, Energy, Space, and Timethe elements of dance. Some stepped out of their comfort zones while others felt right at home in the limelight, but they all enjoyed the exercise in movement and the connections they could make through the art form to other classroom lessons.

One participant gained so much from the professional development workshops, she sent a note of appreciation the next day. “I just wanted to share that yesterday’s PD was by far the best PD I have ever been to,” she said. “I loved how you had us in groups that stayed together through the day. I am so excited to bring back new ideas to my school. Thank you so so much!”

Teachers traveled to different workshops in groups, allowing the educators to get to know each other as they learned and collaborated together.

Hana added, “It was so beautiful to see the AEMI community begin to take shape between teachers and artists!” And it is a community, we know, that will create so many opportunities in Northern Anne Arundel County. That is the power of the Arts Empowered Minds Initiative.

Learn more about the Arts Empowered Minds Initiative, its collective impact partners and the community it serves by visiting artsempoweredminds.org.

Step by Step: The Power of the Arts

Written by Barbara Krebs,
Young Audiences volunteer and Sunburst Society member

As a pair of dancers performed, a group of elementary school children sat, crisscross applesauce, watching their every move. Valerie Branch, a dancer and choreographer with Young Audiences had been working with the Belle Grove Elementary students in an artist residency made possible through the Arts Empowered Minds Initiative (AEMI). When the last notes faded away, Valerie asked the children what they had observed.

“They love each other,” one child offered.

“They share,” another chimed in.

Valerie Branch and a student from Belle Grove Elementary School demonstrating a “weight bearing” dance technique for the audience.

Then she asked the kids to explain what dancing techniques they had witnessed. “Negative space,” “weight sharing,” and “weight bearing” were some of the answers shouted out.

Next, she gathered a group of her second-grade students to pair off with each other to demonstrate some of those concepts. Once the children had done so, half of the students were instructed to use a frozen pose in a high, medium, or low position. The rest were to react to whatever their partner had created. With the new poses in place, she asked the other children in the assembly to discuss what they saw and how the partners had related to one another.

And, in true arts integration form, this exercise was not just about learning dance terminology and positions, but was tied to lessons at the school. This particular one was used in conjunction with a poetry-writing assignment in which the children described themselves through the creation of “I am” poems. Later, choreography was added to illustrate their autobiographical poetry.

Such was the back-and-forth learning that observers witnessed at the Arts Empowered Minds Announcement Event and Celebration on Friday, March 8. The group of educators, politicians, state and local arts administrators, and volunteers gathered at the school was celebrating a $100,000 grant from the National Endowment for the Arts (NEA), which will be used to expand arts integration and teacher professional development in Northern Anne Arundel County.

Pictured counter-clockwise from top left: YA President & CEO Stacie Sanders Evans, Matt Barinholtz of FutureMakers, AEMI Teacher Liaison Betsy Brininger, and Lacey Sheppard, AACPS Arts Integration Teacher Specialist

This is the third time that the NEA has awarded Young Audiences, the program’s managing partner, a grant for AEMI. This collaborative partnership between a wide array of arts and education organizations throughout Anne Arundel County seeks to “address the disparity in arts access–and associated gaps in student achievement–between students in Northern Anne Arundel County and the rest of the county.”

Arts Integration Teacher Mika Nakano (left) and Brittany Roger (right)

Now in its third year, AEMI has already racked up an impressive set of statistics. But even better than the numbers are the inspiring stories that teachers and administrators had to share during the event. Brittany Roger, a teaching artist with a scientific illustration background, spoke of bringing exotic animals (Madagascar hissing cockroaches, iguanas, corn snakes) to the classroom and allowing children to explore the creatures through sight, sound, touch, and smell. Afterward, the students draw and sketch the animals based on their observations.

Amy Goodman, who heads the math department at North County High School, told of her department’s initial skepticism about linking arts and math together. But as the teachers learned arts integration techniques and applied them in the classroom, they began to see students who had been turned off or struggling with math begin to make connections that helped them grasp the concepts they needed to learn.

Dr. Maureen McMahon,  Deputy Superintendent for Academics & Strategic Initiatives for Anne Arundel County Public Schools

And so, step by step, AEMI partners create opportunities for children to learn through the arts. Step by step, the Initiative changes minds about the importance of integrating the arts with reading, ‘riting and ‘rithmetic. And, step by step, it makes converts of those who witness how the arts engage young minds and help them stay, not only focused on their education, but truly inspired to learn.

Learn more about the Arts Empowered Minds Initiative, its collective impact partners and the community it serves by visiting artsempoweredminds.org.

Arts Empowered Minds Initiative

Arts Empowered Minds Initiative: Prioritizing Children and Learning

Written by Barbara Krebs,
Young Audiences volunteer and Sunburst Society member

It’s all about priorities. There are only 24 hours in a day, and as a busy person, you have to prioritize the most important things. I could tell that this principal really wanted to talk about the Arts Empowered Minds Initiative (AEMI), Young Audiences, and how arts-based learning was impacting his school. That’s because, despite the week-long game of telephone and email tag we played just before the start of the new school year, he kept contacting me to set up the next potential interview time. Happily, I finally connected with Rodney Walker, principal of Brooklyn Park Elementary School in Northern Anne Arundel County.

But first–what is AEMI? According to its website, it is “a collective impact initiative that utilizes the arts to improve school achievement, parent involvement, and student engagement and empathy in Northern Anne Arundel County Public Schools (AACPS).” That collective involves more than a half dozen organizations selected for, among other things, their “expertise in the arts, education, or both.”

Detail of a science mural students in Northern Anne Arundel County created as part of a residency made possible through the Arts Empowered Minds Initiative.

So when I spoke to Principal Walker, I was curious as to how his school had become involved, how the partnership worked in his school, and what his observations of its impact were. Brooklyn Park Elementary had become an AEMI school about three years ago when he received info about the group from AACPS’ Central Office. When he met with AEMI staff and learned of their mission and partnerships, he knew that it would be a “natural fit” for his school. He liked the idea that it “gives kids different opportunities to expand their learning. It exposes them to different art genres and focuses on creative ways to teach core subjects.”

Over the summer, Principal Walker attended one of Young Audiences’ tours of Summer Arts & Learning Academy (SALA), which was specifically geared towards introducing principals to the program. Having toured SALA earlier in the summer myself, I wondered how his experience as an educator differed from mine.

In one arts-integrated Algebra residency, students created poems using math terms.

Like me, he was impressed with the fourth-grade classroom he observed using a rap song to learn math concepts. We both noticed how much fun the kids were having while they were learning, a crucial element in creating positive learning experiences.

But as a long-term educator, he noticed something that I had missed. “Sometimes our kids have difficulty in learning the math vocabulary. Here, they’re connecting because they’re having fun. But in the process, the kids are becoming leaders. They’re holding themselves accountable.” In other words, it was the children who were helping to create a positive classroom culture. Of course, the teachers were guiding it, but by empowering their students, the kids took ownership and were self-motivated.

As part of the Arts Empowered Minds initiative, teachers and artists partner to design arts-integrated lessons under the guidance of master teachers and teaching artists.

Principal Walker’s assessment of the learning techniques he witnessed was “phenomenal,” but how will this translate back on the ground at Brooklyn Park Elementary? With AEMI’s focus on arts-based learning and its links to other arts/education groups, Principal Walker sees a continued focus on “creating a safe space for learning and exploration.”

“We will continue to work with AEMI, Young Audiences, and its partners to add professional development for our teachers, and incorporate new and creative ways to add arts-based learning into our writing and math classes.”

AEMI’s priority is to “increase access to high-quality, arts-integrated learning opportunities…” Though it’s not always easy to quantify any particular program’s impact, there is one thing that Principal Walker is absolutely certain of. That’s the “happy faces” he sees during assemblies with an arts orientation.

As Principal Walker’s enthusiasm for AEMI and its partners show, I suspect that arts-focused education will continue to be a priority at Brooklyn Park Elementary School.

The Arts Empowered Minds Initiative is the combined effort of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC).

Arts Empowered Minds Inititative

STEM Cells? Nah, STEAM Sells!

Written by Barbara Krebs,
Young Audiences volunteer and Sunburst Society member

Excited. Proud. Love. These are the three words that I heard repeatedly as I attended the unveiling of the mural that sixth-grade students from Brooklyn Park Middle School created. Though these are not words typically linked with a middle school science project, they help illustrate the magic that is produced when you combine science education with an arts-integrated approach to learning.

The collaboration between their science class and a professional teaching artist from Young Audiences, in partnership with Arts Empowered Minds Initiative (AEMI), resulted in a 10-foot science-themed mural, titled “Brooklyn Park Middle Students Research Cells and Viruses.” As explained in the program, the mural “illustrates the dynamic, multifaceted interactions occurring thousands of times a day between cells, viruses, and living things.”

I wasn’t sure what to expect as I entered MedStar Harbor Hospital‘s Baum Auditorium in South Baltimore, but I immediately felt welcomed as a saxophone quartet from Brooklyn Park Middle played classical music. Their melodies formed a soothing backdrop to the animated conversations between medical personnel, artists, educators, politicians, parents, students, and others who had gathered for the event. A delightful spread of food – chicken satay, veggie trays, fruit and cheese platters, and even cupcakes for the kids – provided by the catering arm of the hospital, Morrison Healthcare, ensured that no one would walk away without all their senses satisfied.

But I digress.  As the reception wound to a close, the formal program began. First up, Stacie Sanders Evans, the President and CEO of Young Audiences. Reaching for a hospital analogy, she spoke of Young Audiences’ facilitating role behind the scenes as the “spinal cord” or “backbone” that makes the arts-integrated learning possible in area schools. She described how Young Audiences partners with schools and other organizations like AEMI and the Arts Council of Anne Arundel County (who helped fund this project) to pair core curriculum teachers with professional teaching artists to enhance learning experiences in Maryland classrooms. Rather than rote learning, students explore academic subjects in any number of hands-on, arts-oriented ways.

From left: Jill Johnson, Vice President of Operations for MedStar Harbor Hospital; Stacie Sanders Evans, President and CEO of Young Audiences; Dr. Stuart Levine, President and Chief Medical Officer of MedStar Harbor Hospital; and Ryan Moran, MedStar Health’s Director of Community Health

Next was Dr. Stuart Levine, President and Chief Medical Officer of MedStar Harbor Hospital. He told the young student artists just how meaningful their creation would be to the hospital, saying that it would be proudly displayed in MedStar’s Emergency Department lobby. He talked about the VIPs in the room – the sixth graders – who had created this mural. He told them, “When community members come in for care, when they’re sick, when they are at their moment of need, they’re going to come into a place that has this incredibly hopeful work on the wall that’s made with love by the kids of their community.”

Then Dr. George Arlotto, Superintendent of Anne Arundel County Public Schools, spoke, stressing, “People who don’t even know you love you; people who don’t know you are proud of you.” This was the legacy that, even as young tweens, they were creating for their community.

Dr. George Arlotto, Superintendent of Anne Arundel County Public Schools and teaching artist Amanda Pellerin

Following Dr. Arlotto, the two teachers who guided the kids through the process spoke. Lisa Radike, the Brooklyn Park Middle school science teacher, recalled that this process helped the kids learn more than just the science of cells, it also helped them “learn how to get along, how to work together.” Amanda Pellerin is the Young Audiences artist who taught them to mold clay, shape it into the cells and viruses they were studying, and then assemble an entire mural from all the different parts they had imagined and created. As she looked proudly onto the students, she made sure they understood the significance of what they had done. “You now have artwork that is on permanent display– and you’re not even out of sixth-grade yet!”

Finally, it was time for the unveiling of the mural. As the students and their teachers surrounded the mural, people leaned forward in their seats, many creeping to the front with cell phones to capture the much-anticipated moment. After a few more remarks from one of the students who reiterated the theme of how creating the artwork had required them to put aside differences and work together, the veil was cast off and everyone could finally see the finished artwork.  

Brightly colored cells wiggled and squirmed their way across the surface. And like a visiting rock star, the mural sat “patiently” as a host of people came up to be photographed with it.

As the event wound down, I finally managed to talk to one of the students, asking simply, “How long did it take all of you to create this?” His answer pulled me out of my adult world of man-hours and Outlook schedules. “About 10 classes.”

There it is simply. It’s about the classes. It’s about what you learn in the classes. It’s about how the classes are taught. It’s about the knowledge you retain from the classes. And though my own knowledge of sixth-grade biology is but a dim memory, it didn’t take a Jonas Salk knowledge of cells to clearly see how wonderful this evening was. That these kids were excited about science. That the folks in attendance were proud of what the middle schoolers had learned and created. And that everyone loved the intersection of science and art.

MedStar Harbor Hospital Mural Unveiling

Storytelling Visualized Assigning Functions to a Narrative

Storytelling Visualized: Assigning Functions to a Narrative

You can feel a good story in your core- the sadness, the suspense, the bitterness, and the beauty. We are good at registering and reacting to all of the characters, events, and plot twists a story throws at us, but have you ever tried to look at one through the eyes of a mathematician? What would a story look like without words, without pictures, its content plotted on a graph?

YA teaching artist and storyteller TAHIRA and Amy Goodman, Math Department Chair at North County High School (NCHS), collaborated in the development of a unique residency through the Teaching Artist Institute (TAI) to show just that. NCHS is one of 12 in Northern Anne Arundel County benefiting from professional development like TAI, in-school arts integration, and out-of-school arts programming as part of the Arts Empowered Minds Initiative (AEMI), a partnership aimed at ensuring equitable access to the arts for Northern Anne Arundel County Public Schools.

The Algebra 1 NCHS students studied different function families and the elements of storytelling, listened to a variety of stories, then tried to determine which algebraic function best described each one.

TAHIRA: What happened that surprised you?

Student: As you were telling the story, the story was compared to math- because events were escalating like in a graph. And then when events took a downfall in the story, the graph started decreasing.

TAHIRA: Then the class had to describe what function the story plotted out, right?

Student: Exponential.

TAHIRA: Yeah, it was exponential. And you had a reaction to all that. What did you say? Do you remember what you said?

Student: I was surprised at how the story could be compared to math.

Each student was asked to illustrate why they chose a particular function over another to describe the characteristics of the story. Could there be more than one answer? Two students each shared their understanding of how a story unfolded by taking turns plotting it out on the same graph, compared and contrasted their unique perspectives, then decided if both functions made sense or if one more accurately described the story than the other.

TAHIRA: Did it make you look at storytelling differently? Or math differently- or help you understand the math?

Student: Yeah, it helped me understand how the graph can be compared to anything such as… in the story, when everything goes wrong, the graph decreases and it shows how it takes a negative effect.

TAHIRA: Exactly. And then?

Student: And then everything comes back together and that creates a positive effect.

TAHIRA: And we talked about the parts of a story: There’s a beginning…

Student: A middle and an end… when there’s a conflict, the two forces, the positive and the negative collide and whoever wins- that’s how the story plays out.

TAHIRA: Exactly, how it plays out- that’s right, it’s called a resolution.

The Arts Empowered Minds Initiative is the combined effort of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC).

The Flavor of Math: Understanding Algebraic Terms

What do you call a collection of two or more equations using the same set of unknowns? Can you identify the variables and constants in a mathematic expression? Why would a person ever use the Method of Matrices? If you were an Algebra student, you’d be committing these definitions, methods, and terms to memory, filling your lexicon with the language of math.

“If you don’t use it, you’ll lose it.” Any veteran language learner will tell you that old adage. Being challenged to use their new vocabulary in a different context is one way to help students become (and remain) fluent. To encourage this, Amy Goodman, Math Department Chair of North County High School (NCHS) in Northern Anne Arundel County, coordinated an artist residency developed by YA artist and spoken word poet Femi the DriFish in collaboration with the school’s Algebra 1 team. Artist residencies, like this one, came to the school thanks to the Arts Empowered Minds Initiative.

Through the initiative, schools in Northern Anne Arundel County are learning to use arts integration as a strategy for boosting student achievement and engagement. Classroom teachers and school administrators are building sustainable partnerships with teaching artists and arts organizations that inspire students and use the creative process to make meaningful, real-world connections to the curriculum.

“Mr. Fish!” NCHS students announced Femi the DriFish’s arrival. The artist is a master of illustrating the meaning of words through poetry and, through literary guidance, builds a strong rapport with the young scholars. For this residency, Femi worked with students to write poems within small groups on the topic where I’m from.

The 9th graders brainstormed over how to use the algebraic vocabulary words scribed onto the backs of index cards to convey their thoughts: function, common difference, output, relation. The language usually reserved for Algebra class became double entendres in lyrics carrying messages of citizenship, diversity, and pride. “If you use the terms correctly,” Femi said, “you remember the definition. You retain it and can access it later.”

“Like parallel lines, some soulmates never meet,” one student revealed in his group’s performance. Some soloists represented their classmates. “Word pairs are like the relation to life, we are all like terms so we don’t have to fight.”

NCHS Algebra teacher Mrs. Russell was pleasantly surprised by the outpouring of creativity. “I’m seeing different things and personalities from kids that I don’t normally see,” the teacher said. “They’re a lot more excited than I thought they’d be!”

As they industriously crafted metaphors and similes, cleverly using their new vocabulary as figurative language, debate arose over whether or not the verses should rhyme. “It never has to rhyme,” Femi advised. “It’s how you perform it that gives it flavor.” He taught the children to confidently use body language by analyzing performing techniques and discussing what is needed to relay a message. “It’s all about how to effectively communicate with your audience,” Femi said. Scholars rehearsed the delivery of their collaborative poetry to truly express their emotions, communicate their history, and challenge the audience to walk in their shoes.

The students did not disappoint. “Like parallel lines, some soulmates never meet,” one student revealed in his group’s performance. Most groups selected just a few students to deliver their words in the culminating performance. Some soloists represented their classmates. “Word pairs are like the relation to life, we are all like terms so we don’t have to fight.” Performers garnered many cheers and rousing support from the teachers and peers populating the auditorium. And everyone involved in the residency left with a much stronger understanding of algebraic vocabulary and a knowledge of terms they won’t soon forget.

So, what do you call a collection of two or more equations with the same set of unknowns? A system. You call it a system.

The Arts Empowered Minds Initiative is the combined effort of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC).

Algebra in the Drum Shop: Plotting the Rate of Change with Kevin Martin

“Will I ever use this in real life?” A teacher could rattle off the professional fields that a mathematician could enter after pursuing a degree when students challenge, “Why do we have to learn this?” Or, they could show them what they can do now with the skills they are practicing. The arts are good for that, and YA roster artist Kevin Martin is an expert at teaching students how to employ their new mathematical knowledge in a very cool and tangible, real-world way.

Kevin Martin teaching students to play steel drums

Kevin has been building and playing steel drums, also called steel pans, for more than 20 years. Through his company Rockcreek Steel Drums, the artist has built thousands of steel drum instruments for clients across the world, and now, he is sharing this knowledge through a residency with students at North County High School (NCHS) in Anne Arundel County. “A steel pan is really a musical sculpture,” says Kevin. These sculptures are tuned instruments that have been methodically hammered into a very specific shape and thickness from the flat base of a steel barrel.

Algebra students at work.

This residency came to NCHS thanks to professional development for teachers in arts integration as part of The Arts Empowered Minds Initiative. Through the initiative, schools are learning to use arts integration as a strategy for boosting student achievement and engagement. Classroom teachers and school administrators are building sustainable partnerships with teaching artists and arts organizations that inspire students and use the creative process to make meaningful, real-world connections to the curriculum.

Kevin worked with 9th grade algebra teacher Sarah Dobry to teach students how steel drum design and fabrication requires the same mathematical concepts explained in their textbooks.

Using careful measurements and the same tools and algebraic formulas that Kevin uses in his shop, the students learn to graph a drum’s rate of change to see how the sides of the pan slope inwards at different rates. Because they’re not just learning, but applying the strategies and formulas they’ve learned, students appreciate the instrument’s transformation from flat to concave and the depth and location of each depression.

Of course, the class also learned to play the instruments. Pairs of students learned where to hit specific notes on the pan and how to control their drumsticks to achieve different effects, rolling them over a note to extend a sound, or striking it purposefully.

As the students gained confidence, they took turns demonstrating their ability. Ms. Dobry was impressed by her class’ excitement and eagerness to participate, “The kids who are usually silent in math have been volunteering to be the example this week.”

“As a math guy, I enjoy the challenge of learning the notes and shaping the metal,” Kevin told Trumpf Express, a professional magazine published for the sheet metal processing trade. “As a musician, I try to recreate the essence of sound.” The artist gave Ms. Dobry’s ninth graders an introduction to what’s possible when you combine an academic skill with the art form you love. And perhaps some of them even discovered a new talent.

Algebra teacher Sarah Dobry

The Arts Empowered Minds Initiative is the combined effort of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC).

North County High School: Creating Learning Opportunities Through the Arts

The Arts Empowered Minds Initiative (AEMI) is aimed at ensuring equitable access to the arts for Northern Anne Arundel County Public Schools through in-school arts integration, out-of-school arts programming, and professional development for teachers. Now in its second year, the initiative has been expanded to include all twelve schools in the region thanks to generous funding from the National Endowment for the Arts!

North County High School

Notable among the additional schools is the North County High School (NCHS). All students in every other school impacted by AEMI are zoned to complete their secondary education at this high school. North County High School’s new designation as an AEMI school will enable local students to continue their learning through arts integration throughout their school years. This creates a unique opportunity for the school to serve as a beacon for arts engagement, not just for high school students, but for the whole Northern Anne Arundel County community.

NCHS is already home to a variety of performing band and orchestra ensembles, and offers students the opportunity to become involved in a number of in-school and after-school arts activities. “The medium of music is a fantastic way to teach some wonderful life lessons as part of the comprehensive program at North County,” wrote NCHS Music Director Theresa Bange on the school’s extensive music program’s webpage. The school climate encourages a culture of respect for the arts in its many forms. NCHS has also shown a commitment to innovation, offering special programs including the STEM (science, technology, engineering, mathematics) Magnet Program, the IT3 (International Trade, Transportation, and Tourism) Program, and the Early College Access program.

This year, the high school will participate in several arts-integrated opportunities where artists will professionally deliver instruction through the arts. Math Department chair Amy Goodman is leading the charge of integrating the arts at North County High. She is currently coordinating a residency developed by YA artist and spoken word poet Femi the DriFish in collaboration with the school’s Algebra 1 team as well as collaborating with theatre artist, storyteller, and YA roster artist TAHIRA to develop a residency through the Teaching Artist Institute (TAI). Also through TAI, 9th grade algebra teacher Sarah Dobry is collaborating with steel drummer, Kevin Martin, integrating music with the curriculum!

“It’s all about creating opportunities,” said Mrs. Goodman. She recalled her experience working with teaching artist Carolyn Koerber in the previous school year. “There was one student who struggled all year, but finally felt success working with Carolyn. Bringing artists into the classroom is an amazing opportunity for not only our students, but for faculty as well.”

We are looking forward to sharing the collaborative work of YA artists and educators in arts integration at North County High School over the next few months and for years to come.

The Arts Empowered Minds Initiative is the combined effort of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC).

The National Endowment for the Arts: a Sound Investment

Co-authored by Barbara Krebs, a Young Audiences volunteer and Sunburst Society member.

We grow up in the United States hearing that we get what we pay for. Such is the case with investments in the greater good. That’s one of the many reasons we’re so passionate about teaching in and through the arts. From our country’s youngest students to our aging seniors, the entire population benefits in both the short- and long-term from the arts, whether it be emotionally, socially, or intellectually.

Non-profit arts organizations like us work hard to both generate sustainable programming and seek support from private and corporate funders so that we may fulfill our mission to positively impact the greatest number of Maryland children with the highest quality arts-integrated educational programming. Federal funding may only be a piece of our funding picture, but it is an important one.

We are excited and proud that the National Endowment for the Arts awarded Young Audiences of Maryland $90,000– one of only seven total Collective Impact Grants awarded nationwide– for the Arts Empowered Minds Initiative (AEMI) in Northern Anne Arundel County! The Arts Empowered Minds Initiative utilizes arts integration programming to boost achievement, parental involvement, student engagement, and empathy. Programming includes in-school arts integration, out-of-school arts programming, and professional development for teachers. In addition, the program will partner with community organizations to create family engagement opportunities, such as providing family passes to the new Maker Space at Chesapeake Arts Center.

The program is the culmination of the work of many groups and individuals seeking to build a movement for increased equity through the arts in their community. With funding from the NEA in 2016, we built partnerships with Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), Arts Council of Anne Arundel County, and University of Maryland – Baltimore County (UMBC). Together, we have already provided professional development to over 100 teachers, and delivered high-quality arts-in-education programs to nearly 2,500 students at six schools.

“This second grant from the NEA will allow us to both deepen and expand our reach and maximize existing resources to ultimately bring the impact of arts integration to almost every student in Northern Anne Arundel County,” Stacie Sanders Evans, Executive Director of Young Audiences explained. The Arts Empowered Minds Initiative will expand from six schools to all 12 public schools in Northern Anne Arundel County and impact more than 7,000 students in grades pre-k through 12.

To be clear, it’s not the NEA’s budget that is proposed to be cut; it’s the NEA itself that is on the line. It’s important to think about this as it impacts local communities and groups. And, should the NEA be eliminated, it will impact our community. When vital, far-reaching, and life-altering programs are at risk, we must speak up. And it’s surprisingly simple and quick to let your voice be heard.  Identify your legislators. Email your senator. Call your representative. Write a letter.

Take 2 minutes now to contact your members of Congress and join the #SAVEtheNEA campaign. Involved citizens can and do make a difference.  Please, join us in the fight to keep the arts alive and accessible in our nation, state, and community. We get what we pay for. And, when we invest wisely, what we get is more than we could have ever even hoped for.

Arts: Everywhere and Every Day

Arts Every Day; Not Just Tuesday
Student artwork from Young Audiences’ Summer Arts Academy —expanding this year to four sites in Baltimore, serving 900 students starting July 5.

“Arts Every Day; Not Just Tuesday.” What a novel idea, right? That statement was made on May 25th, when we convened 8-12-year-old students from Belle Grove Elementary and Brooklyn Park Middle School, at the Chesapeake Arts Center for a conversation around what they wanted to experience in school.

This conversation was one of six conversations we convened as part of Arts Empowered Minds, a new initiative focused on getting students in Northern Anne Arundel County access to high-quality arts education opportunities. 52 people, including students, parents, police, artists, educators, and members of faith organizations and the business community joined us to learn about Arts Empowered Minds and to tell us what matters to them.

3 (1) 2 (1)
Photos courtesy of SSBradley

Here is what they learned: We believe, and research studies show, that arts-rich schools and communities thrive. Arts Empowered Minds aims to improve educational opportunities and outcomes by increasing student access to the arts and arts integrated learning in Northern Anne Arundel County.

Here is what we learned: There is a desire for Arts Empowered Minds to do this work, there are incredible assets that we can leverage, and —while there are potential barriers to success— the public will is there. The will is there to use the arts to fully engage kids in all classes, not just the art room. We heard this desire loud and clear from students: “I wish we could move around more in class,” “I wish our teachers could make us like school,” and classes that keep “my mind active.”

The desire is not limited to the classroom. Participants want the arts to be used beyond the “academic” benefit and as part of the everyday routine, helping kids become great citizens in their schools and communities– with empathy, creative problem solving and communication. Teachers dreamed of a more respectable classroom and our kids dreamed of safe places with no bullying.

To learn more, see our communication plan HERE

Are you interested in Arts Empowered Minds or do you know someone in Northern Anne Arundel County — a business, a government agency, a resident, who would want to connect to our initiative? If so, please forward them this article and have them contact Emily Norris at emily@yamd.org. Arts Empowered Minds is still in its planning phase and is looking for input and volunteers.

Arts Empowered Minds is “powered” by its partners: Young Audiences/Arts for Learning of Maryland (YA), Anne Arundel County Public Schools (AACPS), Chesapeake Arts Center (CAC), Arts Education in Maryland Schools Alliance (AEMS), and University of Maryland – Baltimore County (UMBC). We are grateful that Arts Empowered Minds was one of seven collective initiatives to be funded by the National Endowment for the Arts.