Young Audiences is excited to announce the arts and culture worksite partners for the 2018 Bloomberg Arts Internship in Baltimore. This year’s expansion of the program meant that we needed to partner with even more of Baltimore’s high-quality, renown institutions than we did last year. In order to fully serve the needs of the incoming cohort of interns, we increased the total number of worksite partners from 14 to 20. Bloomberg Arts interns will be gaining tremendously valuable experience working and learning three days a week at one of the following 20 local arts and cultural organizations this summer:
Internship projects vary among organizations to include production, education, development, community engagement, artist engagement, video, music, administration and more. Last year’s interns worked on everything from curating museum exhibits, to integrating technology into museum experiences, to engaging young children in arts activities. At the end of the program, interns create final presentations highlighting their experiences, sharing with the community the new skills and interests that have developed over the course of their internships at each site.
“I love being at the Bloomberg Arts Internship. You guys have helped me grow in the working field and I would not trade out the people I have met for anything in the world.” –Triaje Eaddy, 2017 BAI intern
A large network of community partners are working to prepare 35 hard-working and motivated Baltimore City Public High School students for higher education and careers in the arts. Baltimore is rich with not only excellent arts and cultural institutions, but with the phenomenal people whose contributions and passion make those very same organizations so great. “I love being at the Bloomberg Arts Internship,” said 2017 BAI intern Triaje Eaddy. “You guys have helped me grow in the working field and I would not trade out the people I have met for anything in the world.” Introducing young minds to the people, all of the incredible possibilities, and the many opportunities open to them in a career in the arts is a great gift to us all.
Young Audiences’ Summer Arts & Learning Academy (SALA), the innovative, free, five-week arts-integration program for Baltimore City Public Schools students, will double in size this summer, expanding to eight sites and serving nearly 2,200 students across Baltimore City.
New data show that arts integration at SALA reduces summer learning loss and improves academic performance.
The Academy will be held July 9 to August 10, 2018, at eight sites: Commodore John Rodgers Elementary, Lakeland Elementary/Middle, Steuart Hill Academic Academy, Lyndhurst Elementary, Sinclair Lane Elementary, Gardenville Elementary, Edgecombe Circle Elementary and the newly renovated and expanded Dorothy I. Height Elementary. Now in its fourth year, the program engages students in hands-on creativity while exploring math and literacy with local teaching artists and teachers.
Students will participate directly with 86 teaching artists (local, working artists trained for classroom instruction) – twice as many artists as last year – working in a variety of mediums including painting, songwriting, poetry, illustration, dance, music, photography, playwriting, and filmmaking. Students might find themselves writing songs to summarize main ideas in a story with musician Lisa Mathews, or creating dance sequences to remember the steps in solving math word problems with dancer Cynthia Chavez.
Along with the Academy’s expansion this year comes new opportunities for students through various partnerships, including athletics with Morgan State University and one on one reading tutoring with Reading Partners. These expanded offerings will be available to all students, with opportunities to participate in sports, to learn to code, and to have one-on-one literacy tutoring. Students will also perform at Artscape in July, Baltimore’s largest arts festival, and at pop-up performances around the city. SALA applications opened March 1.
“Every single day, I see how infusing creativity into learning transforms classrooms and children,” said Young Audiences President and CEO Stacie Sanders Evans. “We’re overjoyed to know that the Summer Arts & Learning Academy’s expansion this summer will help us reach twice as many students with arts integration—an approach that research shows works, especially in summer months.”
Data released in January 2018 by City Schools and Young Audiences show that students in 2017’s Summer Arts & Learning Academy significantly reduced summer learning loss in reading and math, and improved writing skills. Summer learning loss—when students lose academic ground over the summer months—is among the most difficult challenges facing the Baltimore school district and many others across the country.
“Young Audiences’ summer program gives students the chance to express themselves creatively, pursue their interests, and be inspired to reach their potential, things that we’ve also been focusing on this school year as part of our blueprint for success,” said Dr. Sonja Brookins Santelises, CEO of Baltimore City Public Schools. “We’re excited by our partnership with Young Audiences and the positive results our students have seen in the program in past years. By expanding the program this coming summer, more students can enroll and will start next school year off stronger.”
City Schools study shows that in reading, third through fifth grade SALA attendees experienced negligible summer learning loss (less than one percentile point) in i-Ready standardized testing compared with more than three percentile points lost by all other students in the district. In math, third through fifth graders regularly attending SALA lost only 3.77 percentile points in i-Ready standardized testing. City Schools students with no summer activities lost nearly twice that, at an average of 5.77 percentile points.
According to an analysis by Young Audiences, all third through fifth grade SALA attendees improved their writing content and structure in pre to post testing. Particularly strong improvements came from students furthest behind their grade level. In addition to the academics, SALA experienced the highest rate of attendance of any elementary summer programming in the district.
Click here for more information on Young Audiences Summer Arts & Learning Academy.
Links to complete Young Audiences and City Schools evaluations:
The Bloomberg Arts Internship program is returning to Baltimore this summer, expanding to 35 paid, six-week internships for Baltimore City rising seniors at local arts and cultural institutions. Running June 18 to August 3, students will participate in college and career readiness preparation through hands-on, real work experiences in the arts and engaging professional development.
Applications are now being accepted for interns and host organizations. Rising high school seniors may apply until March 30, 2018. The deadline for Baltimore area arts organizations interested in hosting interns is March 2, 2018. Both applications can be found here.
The internship program is managed by Young Audiences through the support of Bloomberg Philanthropies. Bloomberg Philanthropies increased its support from 25 students last year.
The 35 Bloomberg Arts Internships interns, selected through a multi-step application and interview process, will work with arts organizations three days a week, visit cultural institutions once a week, and engage in professional development trainings once a week. Students will develop organizational work plans, start college applications, analyze art, and complete final presentations highlighting their experiences to be shared with the community on the last day of the program. Internship focuses vary among organizations to include production, education, development, community engagement, artist engagement, video, music, administration and more. Host organizations will include performing arts centers focusing on dance and music, art museums, libraries, theatres and television studios.
“The Bloomberg Arts Internship program creates wonderful opportunities for young people in Baltimore while expanding the impact and engagement of our vibrant arts community,” said Mayor Catherine E. Pugh. “It’s so rewarding to witness talented students learning, developing their potential and becoming leaders. We need to do everything we can to support them. I am continuously thankful for Bloomberg’s on-going commitment to improving the lives of people in Baltimore.”
“Bloomberg Philanthropies’ generous commitment to not only return the program to Baltimore, but to expand it, is a testament to the power of this program and the incredible students and arts organizations in Baltimore,” said Stacie Sanders, Young Audiences President & CEO. “We’re overjoyed for the opportunity to manage a program making such an impact—showing the arts as a viable career path.”
Young Audiences, the statewide nonprofit that boosts student achievement by bringing arts integration into classrooms and children’s learning experiences, has hired Leyla Layman as its new Chief Operating Officer.
Former Young Audiences COO Kurtis Donnelly will remain with the organization, taking on the newly created role of Director of Summer Learning, to enhance and expand Young Audiences’ summer programming and impact.
Leyla Layman is a career public servant, most recently serving as Deputy Executive Director, Operations and Chief of Staff for the Maryland Department of Human Services’ Child Support Administration where she managed strategic initiatives to increase program effectiveness and worked to identify and create systems to improve operating efficiency.
“Working to improve outcomes for children and communities has been the primary focus of my career,” said Layman. “Young Audiences offers an innovative approach of using the arts to keep children interested in learning. I am honored and excited to become part of the team.”
Previously, Layman was Director of the Baltimore City Health Department’s Office of Youth Violence Prevention and was responsible for program oversight, expansion, and evaluation.Under her leadership, youth outreach increased by 150%.
“Leyla’s experience working with communities, families and local institutions made her an ideal candidate for our COO,” said Stacie Sanders Evans, Young Audiences President and CEO. “Welcoming a uniquely talented, proven leader like Leyla will allow our organization to connect with more children, sparking their passions with arts-integrated learning. I’m excited to work with her.”
Kurtis Donnelly’s transition to Director of Summer Learning comes as Young Audiences expands its focus on year-round learning, implementing and growing programs in the summer. In his nearly three years as COO, Donnelly streamlined the success of Young Audiences’ Summer Arts & Learning Academy while implementing and coordinating all of Young Audiences programming.
“Kurtis’ leadership and understanding of how arts-integrated summer learning can be effective puts Young Audiences in a great position for continued success,” said Sanders Evans. “Engaging children in ways that make learning fun is crucial to uncovering opportunities for positive development and growth. I’m incredibly thankful that Leyla and Kurtis are here to help build on Young Audiences’ work doing just that.”
“Working to improve outcomes for children and communities has been the primary focus of my career,” said Layman. “Young Audiences offers an innovative approach of using the arts to keep children interested in learning. I am honored and excited to become part of the team.”
Started in Baltimore in 1950, Young Audiences is the nation’s largest arts-in- education provider. As the Maryland affiliate, Young Audiences/Arts for Learning (YA) is devoted to enriching the lives and education of Maryland’s youth through educational and culturally diverse arts programs. Through Young Audiences, professional artists from all disciplines partner with leaders and schools for over 7,000 hands-on arts learning experiences that reach more than 190,000 Maryland students. Young Audiences envisions a Maryland where the arts are valued for their capacity to transform lives, and where every student is immersed in opportunities to imagine, to create, and to realize their full potential.
Written by Jaime Clough,
2nd Grade Teacher at Margaret Brent Elementary Middle School and
Summer Arts & Learning Academy Classroom Teacher
“This hit, that ice cold, Michelle Pfeiffer, that white gold.” As soon as I heard the music echo into the buzzing auditorium, I knew it was time. Katherine Dilworth, my artist partner, and I put on our old lady gardener hats, fluffed our red feather boas, and strutted through the crowd of children gathered for the first day of Summer Arts & Learning Academy (SALA) at Thomas Jefferson Elementary Middle School. Waving and pointing to our new 1st and 2nd graders, we introduced ourselves as not just teachers, but people. We pulled out our best, but simultaneously horrible moves, and leaned into making ourselves look as silly and approachable as possible. It was fun, it was full of life, and we created it.
This scene, this first real moment of SALA, is a small snapshot of what the entire summer felt like for us as teachers working with Young Audiences. Neither Katherine nor I had ever worked at the Summer Arts and Learning Academy before and we were a bit hesitant about what fully integrating the arts into each lesson would look like, especially in dealing with Common Core math. Coming into this program, I had just completed my third year as a Baltimore City Public School teacher. I was less concerned with management, and more concerned with how to plan arts experiences all day, every day. Katherine has taught many residencies all over Maryland with Young Audiences, so she was more concerned with the management piece than with planning content. Young Audiences did a beautiful job of pairing us together because our strengths complemented each other perfectly and we filled in the gaps for each other seamlessly. Looking back, one of the massive assets of the SALA program is that teachers and artists work together so that the best of both art and content is intertwined beautifully into each students’ day.
Another huge asset to SALA is the freedom we had in planning our content to help our students enjoy their experience through art. We had a variety of types of art involved in each day, from movements associated with how a plant grows to full projects like weaving flowers based on patterns to create a “community garden” like in our story City Green.
One of my favorite projects that we planned and implemented was a math lesson that focused on symmetry. Our math skill that day was understanding the value of the equals sign and how to make true number sentences. As a hook strategy to help students understand this concept, we let our class choose magazine photos that we had cut in half. Then, we taught them about symmetry and allowed them to try to create the second half of their picture so that both sides had equal patterns, lines, and shapes. Not only did this art connection engage our students so that they were excited once math started, but it gave them confidence and helped them understand much more clearly what it means for something (like a math equation) to “look equal.”
Lessons and experiences like these projects enriched our students’ understanding and knowledge in a way that I did not expect. This summer, I was able to clearly see how differently an arts-integrated classroom functions compared to a non-arts-integrated classroom. In an arts-rich class, students are more engaged, they have fun, they are more willing to take risks, and they come to see each other not just as students capable of learning, but as whole people capable of creating incredible things. On that first day of SALA, we were introduced to our students not just as teachers, but as whole people. Because of this, we were able to build more trusting and holistic relationships with them. This experience changed the way that I will teach, always, and I hope that it changed how my students feel about school and learning.
If you are a K-12 certified academic teacher interested in teaching in our 2018 Summer Arts and Learning Academy, email us at firstname.lastname@example.org. Professional artists interested in using their knowledge and expertise to transform the lives and education of City School students should visit Summer Arts Corps to learn about our paid training program.
The Bloomberg Arts Internship program is coming to Baltimore this summer, placing 25 Baltimore City rising seniors in paid internships at 14 local arts and cultural institutions. Students will participate in a rigorous six-week program, providing crucial college and career readiness preparation through hands-on, real world workplace experiences and professional development.
Managed by Young Audiences/Arts for Learning and the Greater Baltimore Cultural Alliance (GBCA), the program includes work at an arts organization, visits to arts and cultural organizations, and professional development training. The Baltimore Bloomberg Arts Internship Program runs June 20-August 4, with Baltimore being the third city to host the program along with New York City and Philadelphia.
Participating institutions include performing arts centers focusing on dance and music, art museums, libraries as well as film festivals and television studios. The organizations welcoming Bloomberg Arts Interns include:
Baltimore Center Stage
Baltimore Museum of Art
Baltimore Symphony Orchestra
Center for Innovation, Research and Creativity in the Arts (CIRCA) – UMBC
Dance & BMore
Hippodrome Foundation, Inc.
Maryland Film Festival
Maryland Institute College of Art (MICA)
Maryland Public Television
Peabody Institute of The Johns Hopkins University
Port Discovery Children’s Museum
The Reginald F. Lewis Museum of Maryland African-American History & Culture
Sheridan Libraries and University Museums, Johns Hopkins University
“Through our arts internship program, we’re working to change how the next generation of employees and leaders perceive cultural institutions’ contributions to a city’s workforce, economy, and identity,” said Patricia E. Harris, CEO of Bloomberg Philanthropies. “As part of the program, interns will develop critical workforce skills at select non-profit cultural organizations, meet with professionals in the field, and attend career and college readiness workshops as part of their summer experience. We are delighted to expand this program to Baltimore.”
The 25 Bloomberg Arts Internships interns were selected through a multi-step application and interview process. They will work with arts organizations three days a week, go on field trips to cultural institutions once a week, and engage in professional development trainings once a week. Through the internships and trainings, students will develop organizational work plans, begin their college applications, write analyses of art performances, and complete final projects on their experiences. Internship focuses vary across organizations to include production, education, development, community engagement, artist engagement, video, music, administration and more.
“The arts have the power to transform lives and the futures of students in our community,” said Stacie Sanders Evans, Young Audiences Executive Director. “Through their generous investment in Baltimore, it is clear that Bloomberg Philanthropies not only agrees, but also can see the vibrant, growing community of artists and organizations that make this city unique. We’re thrilled to coordinate this wonderful opportunity, providing Baltimore students with experiences showing the arts as a viable career pathway and passion. We can not wait to see how this program impacts the ideas and dreams of these interns.”
“GBCA is excited to be part of this new project,” said Jeannie Howe, GBCA Executive Director. “The Bloomberg Arts Internships will help young people develop workforce and college preparation skills, and support an equitable pipeline for talented young people interested in careers in arts and culture. The cohort in turn, many of whom are of color, will help strengthen the equity and inclusion of Baltimore’s wonderful and diverse arts organizations.”
Baltimore Bloomberg Arts Interns come from schools across the city, including REACH! Partnership School, Baltimore City College, Western High School, Ben Franklin High School, Patterson High School, Baltimore School for the Arts, City Neighbors Charter School, Baltimore Design School, Digital Harbor High School, Bard High School Early College, and Mergenthaler Vocational Technical High School.
Baltimore students in Young Audiences Summer & Learning Arts Academy Outperform Peers
Baltimore City Public Schools students who participated in a new arts-related summer academic program from Young Audiences avoided summer learning loss and, in many cases, gained ground on their national peers in standardized testing, according to evaluations released Tuesday. The new findings showed potentially groundbreaking progress in tackling summer learning loss, a chronic challenge facing public schools.
The results, confirmed in two separate studies involving nearly 800 students, are significant because summer learning loss – particularly among students at or below poverty level – is among the most difficult challenges facing the Baltimore school district and other high-poverty schools across the country. During summer, students typically fall below where they ended the previous grade, setting them back as they start a new school year. In fact, a 2013 National Summer Learning Association (NSLA) survey of 500 teachers found that 66 percent reported the need to spend three to four weeks re-teaching students course material at the beginning of the year. Another 24% reported the need to spend five to six weeks doing the same.
“City Schools has enjoyed a great partnership with Young Audiences, not only during the school year but also the past two summers,” said Dr. Sonja Brookins Santelises, chief executive officer of Baltimore City Public Schools (City Schools). “During the summer, Young Audiences reinforces key math and reading concepts through the arts and creative activities – and we’re pleased with the results we’ve seen. When students participate in summer learning programs that help them move ahead or reduce learning loss, they start the school year off stronger.”
The Young Audiences Summer Arts & Learning Academy (SALA), run by the Baltimore-based arts-in-education nonprofit Young Audiences of Maryland in partnership with City Schools, was free for students and held at four sites across the city: Gardenville Elementary, Thomas Jefferson Elementary/Middle, William Pinderhughes Elementary, and Fort Worthington Elementary/Middle. Eighty-eight percent of the participating students were from high-poverty Title I schools.
“These results were a pleasant surprise given that we generally expect that students will lose ground over the summer,” commented Dr. Marc L. Stein, Associate Professor at the Johns Hopkins University School of Education, who conducted a separate program evaluation for Young Audiences which looked at participating students’ academic skill and social-emotional development. “The Young Audiences summer program combines many of the best practices of summer learning programs and appears to be a promising model. These findings deserve to be investigated more rigorously to find out how and for whom the program appears to be working.”
“This is not your typical summer school program,” said Stacie Evans, Executive Director of Young Audiences. “We taught literacy and math through the arts every day and instruction was collaboratively taught by teaching artists and teachers specifically trained in arts-integration methods. If you walked into one of our classrooms, you might have seen students using hip hop music to help solve word problems in math, or creating dances to summarize and sequence main events in a story.”
The Baltimore City Public Schools evaluation found:
- For math, statistically significant results showed that students in grades 3-5 who regularly attended (defined as attending at least 75% of the program) the SALA improved 1.8% percentile points in national student rankings on i-Ready standardized testing from the spring of 2016 to the fall of that year. That compares to a decrease of 2.8% percentile points for city schools students who did not attend any summer programming.
- In reading, SALA students in grades 3-5 with regular attendance fell only .8% percentile points while students who did not attend any summer programming fell 2.1 percentile points upon returning to school in the fall.
- Results for all grade 3-5 students regardless of attendance rate showed SALA attendees falling just .3% percentile points in math and .7% in reading. These were significantly smaller losses than students with no summer programming (down 2.8% in math, down 2.1% lost in reading).
- In literacy, only 3% of the students in grades K-2 attending SALA did not meet their benchmark goal (the empirically derived target score that represents adequate reading progess1) on the standardized DIBELS assessment in the fall after returning to school compared to 8.1% of students not attending any summer programming not meeting the benchmark.
Young Audiences external program evaluation found:
- 79% of students who attended at least 75% of the program and who took pre- and post-tests had a positive change from the first to the last week of the program on a curriculum based measure of mathematics.
- Approximately 60% of students who attended at least 75% of the program and who took pre- and post-test writing prompts showed positive change in their structure and content of their writing.
- 71% of students who attended 75% of the program and were administered pre- and post-assessments showed growth in at least one out of three social emotional competency areas over the course of the program. The social emotional competencies studied were relationship skills, self-awareness, and goal directed.
“The arts offer an extraordinary opportunity, particularly during the summer, to reignite the joy of learning and to set young people on the right course to start the school year strong. These impressive results from Young Audiences mirror findings of the landmark Wallace Foundation study showing that elementary school students with high levels of attendance in high-quality, voluntary summer learning programs can experience benefits in math and reading,” commented Matthew Boulay PhD, National Summer Learning Association founder and interim CEO.
Eric Harrell, father of 9 year-old Academy participant, Aria Harrell, said “Before this academy, I could tell that my daughter was struggling in math. By using the arts she was able to learn math in a different way-a way that worked for her. She has so much more confidence in her math class.”
1 “Dibels Next Benchmark Goals and Composite Score, “ Dynamic Measurement Group, Inc. (December 1, 2010). https://dibels.uoregon.edu/docs/DIBELSNextFormerBenchmarkGoals.pdf
Links to complete City Schools and Young Audiences Evaluations:
Young Audiences’ Summer Arts & Learning Academy is funded by Baltimore City Public Schools, The Abell Foundation, The Family League of Baltimore with the support of the Mayor and the City Council of Baltimore, The Alvin and Fanny B. Thalheimer Foundation and individual contributions to Young Audiences. All participants are students at a Title I Baltimore City Public School.
by Tracey Cooper, Science Teacher at Oxon Hill Middle School and Site Director of Young Audiences’ Summer Arts Academy
I am a wife, mother, and educator. I have spent the past 14 years in Baltimore City as a science teacher, department head, and district coordinator for summer programs.
When I graduated from Towson University, I wanted to leave my mark and change the world. I wanted to instill a love for science and learning. I thought I had everything I needed – plus an amazing collection of professional attire! Reality, however, did not get the memo. That first year was a bust!
I followed the lessons in the book, but most students were not engaged. I gave up my *beloved* summer vacation to teach science in summer school, hoping to learn alternative ways to deliver the lessons. That first summer, I had 20 students on my roster and a binder full of stock lessons. Only 9 students attended. Only 4 of those 9 passed. Another bust.
Over the years, I improved my lessons and grew in my profession. Student achievement increased, but I wanted more. Eventually, I became a coordinator for summer programs at Baltimore City Schools. And the year I met and collaborated with Young Audiences of Maryland, I fell in love.
Over the next few of summers, I worked with Young Audiences revising the way we did things in summer school. Artists were more actively involved in the content classes and were not just providing enrichment for students. We initiated a co-teaching model between artists and the STEM (Science, Technology, Engineering, and Math) instructors.
Attendance soared. The attendance rate was the highest we had seen over the past three summers. Students who were enrolled in the arts-integrated lessons did better on their math and science tests. I finally saw that education could be fun and creative for both students and teachers. Artists and teachers maximized their professional abilities through collaboration and support, creating a rich tableau of experiences for students.
This past summer, Baltimore City Schools asked Young Audiences to develop a more comprehensive summer learning program. Although I had different plans for my summer, how could I pass on the opportunity to work as a site director with Young Audiences of Maryland?
The result? The Summer Arts Academy: a fully arts-integrated summer learning program that provided a dynamic, creative, and supportive environment for students to learn about the creative process and grow socially, emotionally, and academically.
Teachers received dynamic training from the Maryland State Department of Education and planned integrated lessons with engaging strategies that included movement, rap, and improv! Each week, teachers reflected on their work with the teaching artists, modifying, as needed, both teaching practice and student process. Other summer learning sites had discipline issues, but our students were too busy learning and having fun.
This experience has inspired not only students but also teachers. As an educator, I see a new way to instruct our children and make an impact. I now use the arts integration techniques I learned over the summer to encourage and empower students and teachers. Young Audiences’ comprehensive approach to arts integration maximizes the learning process for educators. With the help of Young Audiences, students may have found a love of learning, but I have been renewed in the art of teaching. Reality seems to have finally gotten the memo!