Articles by Year: 2019
Our staff at Young Audiences do not just come to work. We come to support a mission: to transform the lives and education of our youth through the arts by connecting educators, professional artists, and communities. And we come with our hearts and minds and bodies ready to go above and beyond to realize this mission.
Micaela wrote, “When I started at Young Audiences six years ago, I thought we needed the arts to help students be more engaged in school and make learning more accessible. I had just been a teacher, and I saw changes in my students when they worked in the arts—new leaders emerged when we did a class talent show, and huge smiles appeared on kids’ faces when they got “their own” recorders to take home from music class.
We need young people who not only have the skills needed to build a better world, but can imagine what that might look like. Artists in schools seems like one of our best shots at giving kids the space and community to become the wild, imaginative thinkers and doers that we all need.
These things are still true—the arts are awesome at engaging kids in school, providing an opportunity for students to do hands on work that is meaningful, visible, and matters. And, they spark joy in kids!
Today, though, I think there is more that I didn’t realize a few years ago. I think we need imagination in volume and degrees beyond what I understand. We need young people who not only have the skills needed to build a better world, but can imagine what that might look like. Artists in schools seems like one of our best shots at giving kids the space and community to become the wild, imaginative thinkers and doers that we all need.”
Our artists know how to use their art form to draw kids into the work, to get students to challenge and surprise themselves and proudly show off their achievements. They see how arts integration engages and motivates even the most reluctant students.
Spoken Word Artist Femi the Drifish told us, ”I was working with 7th graders at Commodore John Rodgers Elementary/Middle doing an arts integration math program using rhythm, rhyme, and poetry. Going through what is common in a classroom, I challenged the students to use their algebra vocabulary to describe the city of Baltimore using the terms in creative ways—metaphorically, but in correct context.
There was one student, clearly the “too cool for school” type, who just wasn’t participating in any activity that led up to the final writing exercise. Once the scaffolding was completed and students were set to complete their assigned writing prompt, I witnessed that one kid scribbling on paper in the corner by his lonesome, away from tables where students where gathered.
Upon completion, students shared their work trying to impress each other with the cleverness of their vocabulary usage in the Baltimore City descriptive poems, when he asked if he could share his poem.
I was surprised—just like his teacher and his class peers—and quickly encouraged him to step up to the front of the class to present before he decided to retreat into the disinterested facade he used during all the warmups. As he delivered the poem I realized that he didn’t stick to the theme given, but instead described his love for the game of football using the math terms.
The class roared on cheers upon his completion and the teacher grabbed the poem from him to share with other teachers who wandered into the class to congratulate him.”
Alice’s year at Summer Arts & Learning Academy (SALA) meant so much to her. The program helped bring clarity to math concepts my daughter was struggling with through an art form she loves, she felt confident, and she felt like she was part of something larger than herself. It made her feel proud of herself and proud of her community.
She wrote, “A lot of people think of Baltimore as how the news shows and talks about it. The news tends to only show the little bad things about us. I wish people could just see what SALA is like. It’s a perfect representation of Baltimore’s youth! It shows that we are creative, compassionate, caring, and loyal.” Now Rosario, my youngest daughter, looks forward to SALA every summer. And even though Alice is too old to attend, she volunteers in the program. “I can help and watch other children get the same great experience that I did.”
As I’ve seen with my own children, arts integration is not just fun in the moment. These are experiences that shape students’ mindsets, their education, their goals—experiences that students carry with them and inform their decisions for years to come. Please give today.
I have been a volunteer for Young Audiences for seven years now, ever since discovering them when Colette was in 10th grade, and was asked to speak at their Impact Breakfast. I learned then how much YA had already impacted her, as Colette was part of the PVA (Performing and Visual Arts) magnet at school. Teaching artists from YA were very active, and still are, with the PVA in Anne Arundel County.
But what really impressed me was YA’s involvement at all grade levels and in so many schools across Maryland. By integrating the arts into core curriculum, kids learn in a way that helps them retain the information. Whether it’s rapping their multiplication tables, dancing to showcase literature themes or creating mosaics to depict basic biology, the kids are learning because they’re HAVING FUN!
As for Colette, she’s finishing her senior year at East Carolina University, as an electrical engineer. And she still benefits from the arts-integrated education she has received. For example, although I may not comprehend the mathematical formulas in the papers I proofread for her, her PowerPoint presentations are so visually pleasing that I don’t mind reading what I don’t understand! Seriously, I hope you’ll consider donating today so that other kids can have the great experiences and training that she received as part of YA’s arts-integrated education techniques.
Young Audiences has played a pivotal role in Alex’s life, both past and present. As a child, he discovered his love of writing during a YA artist residency in his public elementary school. Nearly two decades later he works as a staff member with Young Audiences of Maryland.
He wrote “As an adult who was diagnosed with a learning disorder later in life, I can look back and say that my experience with YA was a turning point in my journey to know and love myself. When I had the chance to demonstrate my understanding by creating, rather than just consuming information, I found myself not only participating in class but thriving! I want to stress how much even a single experience can expand a young person’s horizons of possibility, both for their education and their future.”
Now, Alex coordinates YA’s programming with schools in Prince George’s, St. Mary’s and Calvert County and writes fiction and poetry as well. “It brings me great joy to step into a school and know that a student will find a lifelong sense of meaning and passion because of our work.”
Alex is an example of the power of arts integration in the life of our students, especially those who struggle to learn through traditional means. He is proud to “pay it forward” as a staff member and encourages you to support our work across the state of Maryland. Please give today.
A whole-child approach to learning puts significant focus on the social and emotional needs of students. And as we’ve seen in our Summer Arts & Learning Academy (SALA), the arts and arts integration pair naturally with social and emotional learning (SEL). In SALA, our teaching artists and their academic partners plan their lessons through a student-centered lens, giving children the opportunity to learn in a way that works best for them—and supplying them with the emotional tools they need to be successful and connected to the learning—and to each other. In fact, a report from Education Dive notes that in school, “artistic endeavors—whether performing, creating, or responding to others’ work—likely involve even more social-emotional skills and opportunities for students to practice them.”
Through drama, students in SALA feel the thrill of embodying their favorite storybook characters. They learn to express ideas through dance and emotions through music. They feel the pride of understanding mathematical concepts when, through visual arts, abstract ideas can be seen, felt, created, and replicated. What if we applied the artist expertise and program model that makes SALA so successful to the actual school year?
Knowing that MSDE-approved educational models like SALA’s can also be used to address many issues impacting education, our SALA team tailored its model to meet the needs of students who need extra schoolyear support and introduced Arts & Learning Days at three different sites in Baltimore City: Harlem Park Elementary/Middle, Collington Square Elementary/Middle, and Leith Walk Elementary/Middle. These new Arts & Learning Days give teachers and students the opportunity to teach and learn creatively, through self-expression, and with a focus on social and emotional wellbeing.
Arts & Learning Days:
- Support students in afterschool time
- Expose students to different art forms
- Provide teacher professional development in arts integration
- Increase academic performance
Each academic quarter has four Arts & Learning Days. On these days, five teaching artists spend the day at the school co-planning and co-teaching arts-integrated lessons with two different teachers each. Arts & Learning Days are more than artist residencies—they are real-time professional development for school-wide transformation. Teachers discover new ways to create engaging lessons, to blend academic and social and emotional learning, and to ignite creativity and self-expression—and they get to put it into practice right away!
Afterward, teachers and artists reflect and revise lessons. Classroom teachers also meet with Education Director Kristina Berdan multiple times, who offers the educators feedback and strategies to improve their practice.
The arts even extend into afterschool time when an artist or ensemble brings their program to an existing afterschool program for additional enrichment. This year alone, students enrolled in afterschool programs have already been able to work with Wombwork Productions, Inc., Vonnya Pettigrew of Root Branch Film, and Guardian Dance Company!
These opportunities for students and educators through Arts & Learning Days wouldn’t be possible without the support of the principals, the afterschool providers, and the teachers. We are looking forward to many more Arts & Learning Days to come and can’t wait to share them with you.
To access the Collington Square Arts & Learning Day 1 video transcript, click here.
Baby Artsplay!™ provides multi-sensory learning at Judy Centers with funding from Saul Zaentz Foundation
BALTIMORE – Beginning this month, hundreds of Baltimore’s youngest children, their families, care providers, and educators will engage in hands-on, arts-integrated programs at five Baltimore City Public School Judy Centers that support early childhood education and expand kindergarten readiness. This innovative new initiative is being offered by the local nonprofit, Young Audiences of Maryland.
Baby Artsplay!™, a nationally-renowned program developed by the Wolf Trap Institute for Early Learning Through the Arts, serves infants and toddlers from birth to age three and the family members and educators who play a critical role in their development. Wolf Trap is a nationally respected leader in early childhood education research and programming and is supported by the U.S. Department of Education.
“Research shows that early childhood programs are critical to school readiness and that the arts foster language development as well as social and emotional development, creativity, and self-expression—all of which contribute to school readiness and the long-term success of kids.”
The program’s creative caregiver/child workshops, classroom programs, and professional development for caregivers are led by teaching artists—professional artists who have been trained by Wolf Trap to integrate their art forms into more traditional learning settings.
The launch of Baby Artsplay!™ in Baltimore is funded through a $360,000 grant from the Saul Zaentz Foundation. The program is now offered in several cities including Indianapolis, New Orleans, Fairfax, and Pittsburgh.
Through Young Audiences, Baby Artsplay!™ programming began in October at five Baltimore City Public School Judy Centers and their care provider affiliates. The Judy Centers include: Liberty Judy Center, Moravia Judy Center, Harford Heights Judy Center, Lakeland Judy Center, and the DRU Judy Center at Dorothy I Height Elementary. Judy Centers throughout Maryland provide wrap-around services for early childhood development and parenting support.
Baby Artsplay!™ programming includes:
● Caregiver/Child Workshops: Caregivers and their children work with teaching artists in the performing arts to enhance parenting and playtime techniques by incorporating singing, dancing, drama, and multi-sensory experiences. Teaching Artists guide caregivers as they engage with their children, encouraging mindfulness and intentionality in common parenting practices such as rocking children, singing to them, and more. These free, drop-in workshops also provide tips to continue the approach at home.
● Teaching Artist Residencies: Teaching artists work with teachers and care providers to create arts-integrated experiences in their classrooms that provide social and emotional, empathy-filled learning to children. Teaching Artists guide teachers and care providers in research-based techniques similar to those in parent workshops, all with the goal of aligning joyful learning with children’s developmental needs.
● Professional Development: Pre-K teachers, kindergarten teachers, and care providers convene at Judy Centers for an immersive, three-hour professional development experience to build skills in creative childhood development using research-based arts-integrated approaches.
“Research shows that early childhood programs are critical to school readiness and that the arts foster language development as well as social and emotional development, creativity, and self-expression—all of which contribute to school readiness and the long-term success of kids,” said Stacie Sanders Evans, Young Audiences President & CEO. “We are thrilled that, thanks to the Saul Zaentz Foundation, we can infuse the arts into the development of children in the first years of their lives.”
“Baby Artsplay is an engaging program with a great teacher and is a big draw for our Judy Center families with babies and toddlers,” said Crystal Francis, Director of Early Learning at Baltimore City Public Schools. “Thank you to Young Audiences and the Saul Zaentz Foundation for helping to make this program possible.”
About Young Audiences/Arts for Learning:
Started in Baltimore in 1950, Young Audiences is the nation’s largest arts-in-education provider. As the Maryland affiliate, Young Audiences/Arts for Learning (YA) is devoted to enriching the lives and education of Maryland’s youth through educational and culturally diverse arts programs. Through Young Audiences, professional artists from all disciplines partner with leaders and schools for over 7,000 hands-on arts learning experiences that reach more than 190,000 Maryland students. Young Audiences envisions a Maryland where the arts are valued for their capacity to transform lives, and where every student is immersed in opportunities to imagine, to create, and to realize their full potential.
Written by Barbara Krebs,
Young Audiences volunteer and Sunburst Society member
Recently I toured Ireland, circumnavigating this gorgeous island from the Republic of Ireland, to Northern Ireland before returning to Dublin. If you have half a day, I’ll be happy to tell you about everything I learned there, from Irish history to Irish dancing to Irish food to (ahh) Irish whiskey. But if you have only a few moments, then I’ll just tell you about my biggest takeaway from this trip–passion.
So now you’re thinking, “What does this have to do with Young Audiences?” In the great tradition of Irish storytelling, I will let you know how one starts in Ireland and ends up in Baltimore with passion as the theme.
My story starts with a tour guide in Northern Ireland named Garvin, who told us about his wonderful city, Derry. Following the itinerary map, I had been puzzled since I couldn’t find it. This mystery was quickly cleared up as Garvin explained that Derry is the town’s traditional Irish name but it had become Londonderry during British rule. But he was also quick to explain with a broad grin that what his city actually is, is Legen-Derry (Get it? “Legendary!”).
And thus began his tour of a city that he was obviously totally devoted to and passionate about. Today Derry is a wonderful city, with much to offer tourists–historic 17th fortification walls (the most intact in Ireland), Gothic-style cathedrals, a vibrant waterfront restaurant/bar scene and fascinating museums. But if, like me, you think of Derry during The Troubles, your memories will be very different, with scenes of bombed-out buses and civilian and British troop deaths.
But Garvin used that very history to make his point about his city being a wonderful place. He took us to Bogside, scene of infamous clashes between citizens and British military police, and said, matter-of-factly, “You would not be on a bus going here in the ‘70s, because it would be hijacked, turned on its side and burned out to use as a barricade to block the street against the British.” This, while we looked out the bus windows at calm, clean streets.
I loved the beauty of Derry, its rich and troubled history, and yes, the passion of Garvin. And what struck me most forcefully was how many times he repeated, “I thank you for coming to visit my beautiful city. Please tell your friends and relatives what a wonderful place it is.” And I knew then how deep his passion was for his flawed and scarred, yet fascinating city. And through him, I fell in love with it, too.
So now here’s the connect with Young Audiences. I have witnessed the passion of Young Audiences artists like Femi the DriFish and their teacher partners who, despite challenging situations, work tirelessly to promote learning in their classrooms, using the innovative arts techniques taught by YA. I have seen deep passion in our principals who set aside hard-fought funds to bring the arts into the classrooms when others are choosing to cut these opportunities. I see this passion in the YA board, who includes my husband, who donate their limited time outside of work and family to ensure that more kids have opportunities. It is through them that I fell in love with Young Audiences, too.
I am pleased to announce that Garvin’s passion for his birth city is contagious. With his example, I am happy to tell all who will listen that I am passionate about Young Audiences. I will tell folks about how fantastic Young Audiences is–and that includes you!
Wanna know more? Consider joining CEO Stacie Sanders Evans and a Young Audiences teaching artist on Thursday, December 5, 5:30-6:30 pm for a free, one-hour Meet YA Event. To register, please contact Erin Nolder via email or phone – email@example.com or (410) 837-7577 ext. 105. All I ask is that afterward, like Garvin, you tell all your friends and relatives about the wonderful work that YA does.
Some big ideas are meant to be shared. It is through partnership and collaboration that the big ideas grow roots and become an integral part of something even bigger. In 2015, Pat Cruz, YA’s then-chief innovation officer, and educator Mary Kate Bransford had a dream. What if every kindergarten classroom in Prince Georges County Public Schools (PGCPS) had an arts-integrated environmental literacy program?
Their big idea brought together twenty teachers and five teaching artists to write a five-day lesson plan that both met environmental literacy and visual art criteria and explored themes like habitat restoration, local ecosystems, the life cycle of plants, and the lifecycle of animals for a brand new program: Growing Up Green. The program, a partnership between Young Audiences and the Prince Georges County Office of Environmental Literacy, would be piloted in 17 schools in the district in the 2015-16 school year.
That first year resulted in the creation of five separate 5-day arts-integrated environmental literacy lessons. Teaching artists worked side by side with kindergarten teachers all five days of the program with the goal of handing off that role to each individual school’s art teacher in future years. To prepare teachers, Kristina Berdan, Young Audiences Education Director, trained teacher ambassadors, kindergarten lead teachers, and art/music teachers to use the arts as a teaching tool in their classrooms. “I used to think art was a product of a lesson,” said one kindergarten teacher in Prince George’s County Public Schools after being trained in arts integration through Growing Up Green. “Now I think art is the process to achieve the objective.”
The team constantly listened, assessed, reflected, and revised, resulting in a comprehensive catalog of resources for teachers and the refinement of, in the second year, four unique residencies instead of the initial five, and then in its third year, one: Fiber artist Pam Negrin‘s The Lifecycle of Plants. Kindergarteners and their teachers explored nature with their real-life senses—looking, smelling, touching—to not just learn about our natural world, but experience it. Classrooms across the district were outfitted with custom-made embroidery tables where students could gather and stitch their observations, building with and learning from one another. “We think with our hands and when students are immersed in a lesson together, they begin to make their own connections,” said Pam. From sharing what they learned during the school day at home to internalizing and remembering more information, the effects on learning were so profound that once-resistant teachers embraced learning through arts integration and extended it into other content areas.
Growing Up Green combines the arts and time outdoors with making connections between humans and the environment and brainstorming solutions. “The program gets kids outside and thinking about the bigger picture and the combination of all the elements of the program supports the district’s goals,” said James Roberson, PGCPS Instructional Specialist for Environmental Literacy. And after the lessons have ended, classes are left with beautiful embroidered tapestries they can share with the school community. “The tapestries are a great way to showcase what they’ve learned.”
Our state was the first in the nation to approve an environmental graduation requirement for all Maryland students. In 2011, the school board created Environmental Literacy Standards that would support the growth of the planet’s next generation of stewards. Prince George’s County Public Schools is intentionally integrating these standards into the PreK-12 curriculum, and through Growing Up Green, they are successfully reaching the county’s youngest students. This is the first year that PGCPS is running Growing Up Green without Young Audiences’ support. “Young Audiences has been an outstanding partner over the last four years,” said Roberson.
“I’m really impressed by how different teachers have taken what they learned and run with it,” said Jhanna Levin, PGCPS Environmental Literacy Outreach Teacher. As a result of Growing Up Green, teachers in the district’s Autism Program, for instance, have embraced the art of embroidery, the fine motor skills it develops, and the calm it inspires. “It soothes the kids in a way they weren’t expecting.” Levin, new to the department, has taken the reigns of Growing Up Green and nurtured the development of teachers new to the program as well as veteran educators. She is constantly checking in and helping the teachers to do what works best for them.
She is holding a training session this coming January for lead kindergarten teachers to explore additional arts integration techniques for classrooms and it’s not just new teachers who are looking forward to it. “We’re talking about turning T-shirts into yarn and using dance for the observational piece,” said Levin. James Roberson added, “We’re really excited about what Jhanna brings to the program.”
Growing Up Green was a tiny seed that with research and tremendous effort and love, Young Audiences was able to sow. Through the amazing partnership we’ve had with PGCPS, we’ve seen the program evolve and take shape in a way that both works best for the district and stays true to the vision of Growing Up Green at its conception. We are extremely proud to see the district take charge and continue nurturing and developing this incredible program. Levin said, “There are teachers who have done this for three years now and they say, ‘Just give us the materials. We’ve got this.'”
smARTbeats returns to WTMD on Saturday, October 19 during the weekly children’s program Young At Heart! On this month’s segment, host Lisa Mathews talks with Scott Paynter, or Scotty P as he’s known around town, one of our talented teaching artists from Summer Arts & Learning Academy (SALA). He embodies fun and warmth in his classroom and on stage as a solo performer and as a lead vocalist with the world-renowned reggae band Jah Works.
“Jah Works is a true grassroots success story that emerged from Baltimore’s reggae scene over 20 years ago. This is music made by and for lovers of real, authentic reggae music. Consistently performing hundreds of shows a year worldwide, they have forged their sound in clubs, festivals and on the sun drenched beaches of Negril. Their sound is firmly planted in the roots of Jamaican music and culture, encompassing rock steady, reggae, and elements of dancehall and dub. What Jah Works does best is introduce the novice music listener to the fullness of reggae music and culture.” —from jahworks.com
Scott’s classroom in SALA is a creative and joyful place where music and children go hand in hand. Perhaps it’s because he got his own start in music as a young child with a guitar he built from plywood and yarn. How awesome that every summer he helps more young musicians discover their passion for music and songwriting!
Scott doesn’t just share his art form with students, he teaches them to demonstrate what they’ve learned through music. By writing songs about the books and stories they’ve read, children are able to dive deep into the different characters and their personalities—bringing them to life. Take this video, for instance, of Scott’s students performing a song they wrote with the artist about a book they read together called City Green by DyAnne DiSalvo-Ryan.
It should come as no surprise that kids love coming to his class to sing and learn! Mr. P makes learning fun—and even though his time with them is relatively short, his patience and commitment to the students can be seen in the strengthening of their academic abilities, their understanding, and the genuine smiles on their faces.
Listen online now to the smARTbeats interview with Scott Paynter at WTMD.org
Young At Heart airs weekly on 89.7 WTMD from 7 to 8 am on Saturdays, featuring music that appeals to parents and children alike. Previous shows have featured music by Wilco, David Bowie, Andrew & Polly, Weezer, and others.
Mrs. Aleesha Manning, Principal of Cecil Elementary, began her teaching career in Baltimore City in 2003 as a Kindergarten teacher at Lakewood Elementary. The following year, she joined the Cecil family/community and served as a teacher and assistant principal. She is a graduate of Lincoln University in Pennsylvania with a degree in Early Childhood Education and earned her Master’s Degree in Instructional Leadership from Towson University. “Arts Integration has always been an important part of my teaching philosophy. As a teacher, and now as a principal, I am always seeking out ways for my students to participate in the arts,” she said. “We have applied for grants, created in-house programs, and work tirelessly to keep arts in our academic programming.”
“I have a teacher who has had experience with arts integration and she has explained that student outcomes are much higher,” Mrs. Manning said. “I want my students to be able to take their learning to the next level and experience academics in a new way that is highly effective and long-lasting.”
Knowing the value arts education and arts integration brings to her school and students’ education, Mrs. Manning applied for Young Audiences’ Principal Fellowship Program. The 11-session program began this summer and brought together ten outstanding Baltimore City Public Schools Principals, including Mrs. Manning, who are all committed to using the arts to build a positive school climate that advances student wholeness and/or to improve academic instruction.
Through the fellowship, she hopes to inspire teachers school-wide to intentionally integrate the arts into their lessons—even when an artist is not present in the classroom. “I have a teacher who has had experience with arts integration and she has explained that student outcomes are much higher,” Mrs. Manning said. “I want my students to be able to take their learning to the next level and experience academics in a new way that is highly effective and long-lasting.”
Mrs. Aleesha Manning, Principal of Cecil Elementary, is one of ten Baltimore City Public Schools principals selected to participate in the Principal Fellowship Program. The year-long fellowship provides principals with the guidance and framework to develop an arts-based action plan in their schools and we are thrilled to have her in the inaugural cohort!
The arts in LaShella Stanfield’s school have proven to be a catalyst for students’ academic success. That’s one reason Mrs. Stanfield, Principal of Cross Country Elementary/Middle School, is participating in Young Audiences’ inaugural Principal Fellowship Program. Through the program, she not only hopes to realign the school’s work with arts integration but gain the knowledge and resources to provide professional development and action plans around implementation to her staff.
“I am the parent of a professional artist and thoroughly understand the importance of the arts both in students’ academic and social development.”
Mrs. Stanfield holds a B.A. in Psychology from Frostburg State University and earned her M.Ed. in Elementary Education from UMBC. She has been trained in a range of modalities including Educational Leadership, Restorative Practices, Universal Design for Learning, and Trauma-Informed Care, and advocates for equitable instructional practices across all grade levels and disciplines. And because she notices her students are able to express themselves in unique and effective ways when they engage in the arts, she wants to ensure all Cross Country teachers receive the proper training and support in order to integrate the arts in their lessons daily. Mrs. Stanfield noted, “I am the parent of a professional artist and thoroughly understand the importance of the arts both in students’ academic and social development.”
“One of the greatest needs at my school is to support teachers with developing social-emotional learning strategies,” said Mrs. Stanfield. Principals in the fellowship look closely at how integrating the arts into the curriculum can foster the development of the whole child while fueling academic achievement. They’ll also work with principals who have already successfully used arts integration as a lever for school change and learn ways to address administrative barriers to expanding the arts in school, such as staffing, professional development, creating time to plan, and evaluation, ensuring fellows have the support they need to realize goals around arts integration in their own schools.
Mrs. LaShella Stanfield, Principal of Cross Country Elementary/Middle School, is one of ten Baltimore City Public Schools principals selected to participate in the Principal Fellowship Program. The year-long fellowship provides principals with the guidance and framework to develop an arts-based action plan in their schools and we are thrilled to have her in the inaugural cohort!