Articles by Month: May 2018
Written by Jaime Clough
The 2nd grade Baltimore City Public Schools teacher spoke about how the tools she learned at Summer Arts & Learning Academy have informed her teaching and transformed her classroom at Young Audiences’ annual Impact Breakfast earlier this month.
“Buffalo Woman, go,” Mr. Briggs nudged me. I stepped onto the stage, took a deep breath, and began my lines. I was eight and dressed in a leather Native American dress with beads and fringe. I was shy, but I had done the work. By the morning of the production, I had read primary texts, written a research paper, and created my own costume. So, when I stepped onto that stage, I was not timid or nervous, but passionate and proud. This was my first experience with arts integration.
Fourteen years after my role as the Buffalo Woman, I was accepted into Teach for America Baltimore and began teaching at Margaret Brent Elementary/Middle School in Charles Village. My students are diverse. One walked with her family from Mexico to America. One, who cannot yet read, learns in the same space as another, who is reading Harry Potter. Some of my students come to school without having eaten since the night before. Others rarely have clean uniforms.
I knew what I wanted to do in my classroom, but I didn’t have the tools to execute my ideas.
It was last March that I found Young Audiences. They matched me with fiber artist and Young Audiences teaching artist Katherine Dilworth, and together we went through a one-week professional development class. I learned how to use song and rap to teach students multiplication, and theatre to understand points of view in a story. During Summer Arts & Learning Academy, for the first time, I taught the way I had always wanted to teach.
As part of our literacy unit, students read City Green. To help kids understand the message of the book, “what makes a community?” and connect with the characters, Katherine and I planned a lesson around creating a community garden out of woven flowers. We’d use our art standards to create ABAB patterns and connect math standards for adding and subtracting the strings.
We had one student in the class with lots of sensory difficulties. He had challenges with personal space, with expressing his emotions, and would often just put his head on his desk. As he began to wind thread through his loom to make his flower, I was ready for him to say, “It’s too hard,” and stomp away. After 15 minutes of weaving blues and purples, a pattern emerged. His flower was taking shape beautifully. He was adding and subtracting, counting his strings, and weaving the pattern. Absorbed in his work, he sat without prompting for the longest amount of time since I had known him. “Ms. Clough, look! Ms. Clough, I did it,” he said. “I made my flower and it’s so cool!” That was the spark.
From that moment on, my student was different. He raised his hand. He worked with partners. He asked questions about how to make his work better. Without that moment at the beginning of summer, we would not have seen a change in him. The arts gave both him and me the tools we needed to help him succeed.
My classroom after SALA is a different world. Teaching through the arts doesn’t just work for some students, it works for everyone. I have the highest engagement I have ever had, we are on track to grow two years in one school year as a class, and there is a spark in every single eye in the room when I write the lyrics to a “Ms. Clough Original” on the board. iReady, ANET, and DIBELS tests do not make us anxious anymore. When we walk into the computer lab, my students cheer because now they know they can do it. They are confident because they know their math and reading strategies from the songs, skits, and choreography we use every day. The successes and swagger among students in my classroom are because of the skills I gained while teaching with Young Audiences. Now, my dream is to be a principal so that I don’t just have a classroom of sparks, but a whole school of them.
Jaime Clough is a 2nd Grade Teacher at Margaret Brent Elementary/Middle School and Summer Arts & Learning Academy Classroom Teacher. Her first-hand experience is a testament to the power of arts integration in the classroom and is an example of the incredible strides a class can take both emotionally and academically when children learn through the arts.
Written by Jahsol Drummond
The 2017 Bloomberg Arts Intern and Filmmaker delivered the following speech at Young Audiences’ annual Impact Breakfast earlier this month.
My name is Jahsol Drummond. I am eighteen and currently a senior at Bard High School Early College. I have attended Baltimore City Public Schools since kindergarten and I have never been a big fan. I was always told I was a good kid but my grades never really reflected that. From early on I was put in a box. Once I got to middle school, classes were separated and labeled 31 through 34. We all knew that groups 31 and 32 were supposed to be for the smart kids and 33 and 34 were for the “dumb” ones. I was in 33, and the stigma of feeling lesser set in, but I was also just glad I wasn’t in 34.
When I didn’t get good grades in middle school, I couldn’t get into a good high school, and a cycle began. This is the problem. In middle school, a composite score based on the grades you earn determines where you can go to high school. Once kids get behind in their education here in the city, they get derailed and there isn’t much help to get you caught up. Luckily, I found Bard High School Early College, a school with college-level expectations that encourages its students to think. Bard gives kids who haven’t done well in the current system a second chance and (I think) a better education than any other city school can provide.
I first learned about the Bloomberg Arts Internship from Bard’s guidance counselor. This program, which is managed by Young Audiences, matches students with arts and cultural organizations for a paid internship over the summer. I wanted to be a filmmaker, but I wasn’t sure how to go about it.
So, I was excited when I was accepted into the program and Young Audiences matched me with Tim Nohe, who is the Director for the Center for Innovative Research in the Creative Arts (CIRCA) at UMBC and a filmmaker. We clicked instantly. We saw that we had a common interest in using film to communicate perspectives.
On the first day, Tim and I hit the ground running. He taught me how to use the camera, and how to use editing software. My first project was to film interviews with the arts staff at the university. I was involved throughout the entire production process: from researching the artist, to formulating the questions, filming the interviews, and editing the footage. Tim believed in me and over my six weeks at CIRCA, I was exposed to the world of professional filmmaking and working with people to create pieces of work that I cared about. I made something I was proud of and a spark ignited. That first-hand experience helped me get involved in the local industry and I came away feeling like I had earned the title of filmmaker.
On top of connecting me with a great worksite, Young Audiences helped me and my fellow interns apply to college. We spent time working on our college essays and doing extensive research on the colleges we wanted to attend for the next fall. Today, I’m graduating from Bard with an Associates degree and I will be attending Bard College at Simon’s Rock in Massachusetts on a full-ride scholarship and with all of my current credits carried over.
At the end of the summer, Young Audiences required me and the 24 other Bloomberg Interns to present what we learned in a public presentation in front of hundreds of people. I had the opportunity to show what I had learned by producing my own video for my presentation. I was really pleased with how it turned out, and there were leaders in the city’s arts and cultural industry who were impressed with my work too.
My dream is to communicate the problems in our educational system through film, and now that I have finished the program, I know that I can do this. I hope my films inspire a spark within others to make a change. I now know enough to trust my spark to guide my work, and Young Audiences hiring me to film all three of YA’s summer programs this year means that others believe I have it in me, too. My career has only just begun, and it’s already so exciting. Thank you to Young Audiences and Bloomberg for opening this world up to me, and a special thanks to Tim for showing me the way.
Written by Barbara Krebs,
Young Audiences volunteer and Sunburst Society member
Spark. Ahh, now that’s a great word. Quick, simple, to the point. And it’s versatile – noun or verb – it’s all good. And if you’re a fan of onomatopoeia (and who isn’t?), well, I think spark works well there, too.
If you attended the 11th annual Young Audiences Impact Breakfast, you heard that word a lot. First, from Stacie Sanders Evans, President and CEO of Young Audiences, whose drama teacher sparked a passion that would put her on the path to her leadership of YA. You heard it from Jaime Clough, a second-grade Baltimore City Public School teacher who taught in YA’s Summer Arts & Learning Academy (SALA) and who has used the tools and strategies learned at SALA to transform her classroom during the school year. You even heard it from a student. High school senior Jahsol Drummond spoke about his experience developing his video and editing skills at the Center for Innovative Research in the Creative Arts (CIRCA) at UMBC in last summer’s Bloomberg Arts Internship. He shared his plans for the future as a college student (he was awarded a full scholarship to Bard College) and as a filmmaker. “My career has only just begun, and it’s already so exciting,” Jahsol beamed.
It is amazing where a spark will take you if you have the passion and determination to stoke the fire.
But, of course, the thing about the Impact Breakfast is not just the inspirational stories we hear from the presenters, nor is it solely about acknowledging the remarkable strides Young Audiences has made over the past few years in overcoming summer learning loss. These are important and wonderful things to witness, no doubt. But what truly struck me this time around was the synergy of people attending this event united by the desire to improve educational opportunities for the children in our communities.
Seated to my right was Kariz Marcel, a DJ, music producer, teaching artist, and founder of the nonprofit Innovation Echo Alliance who is seeking ways to partner with Young Audiences and other educational organizations through his music industry connections. As he explained it to me, he was hoping to establish a roster of professional recording artists who would be willing to donate a small portion of their music royalties to these organizations as an ongoing and sustainable way to raise funds for education in our local schools.
Another gentleman at our table was Lieutenant Steven Thomas, a member of the Anne Arundel County Police Crisis Intervention Team. He and his team identify youth who can be helped by, for instance, after-school programs, like the Police, Artist, and Community Engagement program (PACE), and then find ways to make these things happen. For example, when it was discovered that transportation was an issue, they partnered with the school system to provide it. That meant getting the school-approved CDL bus license so they could drive students on the county’s buses. A little spark of creativity to problem solve what might otherwise have been a deal killer. Instead, police officers are keeping local youth involved in enrichment programs.
Likewise, I got a chance to talk briefly with Dr. Stuart Levine, President and Chief Medical Officer of MedStar Harbor Hospital, who I had heard speak only a week before at the unveiling of the mural that now sits in the lobby of the hospital’s Emergency Department. This mural, which focused on how cells and viruses interact with human and animal bodies, was created by sixth-grade biology students from Brooklyn Park Middle School. The project was the result of a multi-week Young Audiences teaching artist residency in partnership with Arts Empowered Minds Initiative (AEMI). So here was yet another way that a group, which is pivotal to the lives and health of its local community, had found a way to connect with young students, perhaps sparking future collaborations?
And that is just a small sampling of the conversations I had at my table alone. As I looked across the room, I could only imagine what discussions, ideas, creative solutions, and inspirational tales were being shared elsewhere. Knowing that so many people had gathered because they have a passion to improve the educational lives of our youth, I came away from the event feeling recharged, hopeful and, yes, ready to find fresh ways to kindle the spark – in whatever myriad forms it appears – in my own life and those of others.
Indeed, there is no telling what particular spark at what precise table will catch fire and generate a lasting, positive impact.
But that’s the Impact Breakfast for you – a kaleidoscope of people who are sparking change and impacting the future for our children!
smARTbeats returns to WTMD this Saturday, May 5 during the weekly children’s program Young At Heart! On this month’s segment, host Lisa Mathews sits down for a chat with professional frontman and percussionist, Young Audiences teaching artist Steve Cyphers. Tune in and you’ll hear why Maryland students absolutely love drumming with Mr. Steve!
The musician has performed for audiences on stage his entire adult life, touring with bands in the U.S. and abroad, contributing drums, percussion, songwriting, and vocals. “I truly believe music and art can help break down social and political walls and help to build cultural bridges,” Steve explained. “That being said, I simply enjoy performing for, and with, people!”
In schools, Steve helps students gain a deeper understanding of playing and notating rhythms and the science of sound. In addition to body percussion and call-and-response exercises, Steve’s students learn how to play a bucket with mallets designed and fabricated by the artist to accentuate the high and low pitches of the buckets, and to provide more volume control for the classroom. With Mr. Steve in the classroom, students investigate the physics of sound waves and even get creative by altering their “instrument,” to change its sound.
“I’d like to inspire students to venture further into music and performance, and interact with them in a positive, fun, and educational way.”
And inspire students, he does. If you’ve ever wondered what true happiness looks like, just watch a group of Steve’s students singing and playing James Brown’s “I Feel Good” on bucket drums!
Young At Heart airs weekly from 7 to 8 am on Saturdays, featuring music that appeals to parents and children alike. Previous shows have featured music by Wilco, David Bowie, Andrew & Polly, Weezer, and others.
Hear Steve Cyphers‘ smARTbeats interview online now!